爱斗气爱上你

<傲慢与偏见>影评:
第一次看这部英国与印度合拍的电影<傲慢与偏见>是在高考结束的那个晚上,当时看了后感觉很强烈,整个影片无论是从视觉效果还是意义上对我都是一种吸引.之后下载下来,反反复复看了很多遍,可是还是有种意犹未尽的贪婪感.
一个有傲慢却不是傲慢,一个有偏见却本不该成为偏见,可爱情之神原本就是吝啬的,她不愿让相爱的人简单地相爱,因为她懂得爱的真谛,但她又会让相爱的人圆满地相爱,因为她明白爱的不容易.影片中的女主角拉里塔是个热情奔放却又深沉的女性,她有主见,渴望得到真爱.男主人公达西是个心地善良彬彬有礼的男士,他为人真诚,可是第一次见面,他因为没法控制的下掉的裤子而拒绝了与拉里塔跳舞,而被拉里塔认为是天性傲慢,第一印象总是个深刻的东西,之后达西为了重塑自己在拉里塔心中的印象可是花费了不少功夫.
其实爱情的过程大体都一样,来回换的是主人公.而不同性格的主人公却又将爱情分了类.以前看过周国平的一句话:只有在两个有个性的个体之间才能产生爱情.刚开始不是很明白,之后懂了,爱一个人不是爱他(她)的那张脸,那套房……而是爱上他(她)的那颗心,也就是个性.
影片中的拉里塔是个性的人,她没有像其他女人那样梦想加入豪门过富太太的生活,没有像其他女人那样趋炎附势的追捧美国,而是想找个愿意与她跳舞,与她一起快乐简单生活的人,而是深深的爱着自己的祖国印度.她深沉却单纯.达西也是个个性的人,他心地善良,没有纨绔子弟与生俱有的高傲架子,他不善言语却最懂得爱的表白,不是说什么而是做什么,不是占有什么,而是给予什么.纵然奔波在名利场上,但他却出淤泥而不染,明白人生爱的至高无上,他也渴望得到真爱.两个本不该有误解的人却有了误解,可是可能正是在面对和处理这些误解的过程中,他们才走到了一起,才发现了那些可能错过相遇.
每个人都是一个爱的追求者,又同时是个被爱者.我们被亲情,友情,爱情包围着,其实爱没有什么只要曾经拥有,不在乎天长地久的说法,爱随时都在,可是我们习惯它了,不觉得它的存在,当某一天一个与我们有爱的人离开或是到来,爱的包围圈有了缺口,这时候我们才明白,原来我们一直在爱与被爱.

和印度应该说是一种缘分吧,有种向往了,一定要去印度看看.舞蹈,音乐,海滩,小镇,金矿...古老的民俗民风,还有美女!
  从恋恋不忘的"阿育王子" 对了,还有王子.呵呵! 到"我爱贝克汉姆" 到"爱斗气爱上你" 几乎每一部片的推出都会烧红一拨人.男女主角们便成世人的宠儿. 但是在这部片里,我怎么就只记住了那个在美国发财了的表哥呢?又丑又庸俗的家伙. 那位幽雅的王子让我没有看懂,因为他不勇敢吧.
   还是说说舞蹈,我觉得该片的编舞抛弃了以前人们对印度舞到的模式化记忆,以为就只有那么几个经典动作,.... 很多现代热舞的动作,还有音乐也一样,有摇滚,融合了很多曲调... 海边的那场舞蹈真的是让人荤牵梦饶...

  

总体上来说挺好玩的影片。故事情节完全紧套原版的傲慢与偏见，但却丝毫没有让人感到套的生硬。改编得挺自然，更搞笑，更活泼，而且比原班的傲慢与偏见好懂。
很兴奋得看到他们没有改变我最喜欢的傲慢与偏见中的情节，就是那句“Your mother will never see you again if you do not marry Mr. Collins (Mr. Kohli), and I will never see you again if you do."
典型的宝莱坞风格，色彩丰富活泼，浪漫可爱，加上热闹的歌舞，而且主角们甚至也没KISS。
AISHWARYA RAI真的很漂亮，以前只见过她的照片，这次是第一次看她的电影。
文中一些对于印度现状的一些言论让我觉得印度的很多情况其实和中国挺像的。虽然我说这话可能很多中国人不会同意。中国人很多一直觉得自己要比印度阿三们高贵很多的。
要说缺点的话，其中有些歌舞段落实在太长了点，不停的只是在重复着同样的旋律和歌词，让人看得有些无聊。

我喜欢这部电影，不是因为演员是多出众或者是歌曲多好听，我只是觉得会有误会在爱情之中，但是呢误会终究是会解决的
在爱情的眼里是没有距离的

This 2004 musical comedy from Bollywood gives Jane Austin’s novel a dramatic new and exotic touch. When you see the title, you know the reference, and you expect the informality and fun, which are very well presented in Bollywood style. All the twisted love stories in Austin’s original work become a single, hilarious and very much Bollywood coup de foudre.
The setting of the story is not much so different from 19th century Britain – a rather interesting or perhaps concerning fact, with parents yearning for someone socially advantaged, and daughters pursuing a Victorian free love. Yet the “Bollywoodness” of the film immediately removes all the formality, tediousness, and monotone of the Victorians.
  Knowing the film is a musical, one should perhaps be less concentrated by the capricious and appropriate appearance of dances and music, but their presence is dramatizing the film so much that perhaps they become the only thing that can last in my unfortunate memory. The colors and dances all make the film a gigantic flow of pictures. Even though one may be unsure about what exactly is going on in the flow, one can easily catch up with the plot and leave the brain relaxed and fully sucking the juices from visual nourishment.
  The Western actors give a mediocre display in the film. Martin Henderson, who plays William Darcy, lacks the ability to perform the initial aloofness, and the potential to love in him that can be found in the Darcy from Austin’s novel. Since the film, like Austin’s novel, tells the story from the heroine’s POV, it is important for Henderson to show Darcy’s world via his performance, which is way too static to show the character’s mind. I know his state of mind only because I read the novel.
  The Indian actors and actresses, however, give a rather vivid performance. Aishwarya Rai Bachchan, playing Lalita, a character corresponding to Elizabeth in the original novel, gives her character the ambivalent state of mind, a remorse found in love stories, an unconscious preference, etc. Look retrospectively, one can find that she became more successful and sophisticated in her later performance, Jodhaa Akbar, for example, in which she played Jodhaa Bai, Mughal Empress. However, it does not change the fact that her performance in Bride and Prejudice is already outstanding. She has the skin color that drove the 18th century British sailors to mutiny, and blue eyes mysterious and exotic. Understandably she is found in the list of 25 hottest actresses on IMDB.
  The film is so not serious and so not tedious. It is a successful Indian rebellion against British formality, with weaponry of dances and music.

只能说可能05版的Darcy Elizabeth 已经牢牢抓住我的心了。
所以我看这个印度版的，即便女主角竟然是叫lolita 。。。OMG，让我几经感慨那个了火极一时的【洛丽塔】，无奈.......

反正我是看了各种没感觉。特别是Darcy和lolita 在一起，彼此心动，我看出没啥感觉啊。

还有一个美国人，在英国做生意，要娶个印度妹子，怎样，是要跨越全球么。

每次里头姐妹们跳舞或者在街上跳舞我就想笑，不知道为什么，可能美剧看多了，感觉美剧里那种才是最随性的，很自然。

而且【Bride & Prejudice】在我印象中也算是一部半宫廷的片子，王室气息算是，蛮浓重的，书上描述的感觉也是这样的啊。

印度这版拍的就一度让我联想到【歌舞青春】跟【high school】，看过的人懂的，后者与前者的差别。


怎么能把这么经典的作品拍成青春偶像片啊。我看的真的要疯了。

不过女主真的美，真心美、

无力了，小女子知识浅薄，略提小议.......