老枪

引自 Wikipedia 的介绍：

In early 1944, 2nd SS Panzer Division Das Reich was stationed in the southern French town of Montauban north of Toulouse to gain new equipment and freshly trained troops. After the D-Day invasion in Normandy, Das Reich was ordered to make its way across the country to stop the Allied advance. In the days leading up to the Allied D-Day landings at Normandy, the local French Resistance had increased its activities in order to disrupt local German forces and to hinder communications. Along their way, the Germans came under attack and sabotage by the fighters from the Maquis du Limousin and, in turn, attacked and killed many French civilians.

Early on the morning of 10 June 1944, Sturmbannführer Adolf Diekmann, commanding the I battalion of the 4th Waffen-SS ("Der Führer") Panzer-Grenadier Regiment, informed Sturmbannführer Otto Weidinger at regimental headquarters that he had been approached by two French civilians who claimed that a German officer was being held by the Resistance in Oradour-sur-Vayres, a nearby town. The captured German was alleged to be Sturmbannführer Helmut Kämpfe, commander of the 2nd SS Panzer Reconnaissance Battalion, who may have been captured by the Maquis the day before.

On 10 June, Diekmann's battalion sealed off the town of Oradour-sur-Glane, having confused it with nearby Oradour-sur-Vayres (some disagreement on this point, see esp. Max Hastings, Das Reich, who states reasons for believing no such confusion), and ordered all the townspeople – and anyone who happened to be in or nearby the town – to assemble in the village square, ostensibly to have their identity papers examined. In addition to the residents of the village, the SS also apprehended six people who did not live there but had the misfortune of riding their bikes through town when the Germans arrived.

All the women and children were then taken to and locked in the church while the village itself was looted. Meanwhile, the men were led to six barns and sheds where machine-gun nests were already in place. According to the account of a survivor, the soldiers began shooting at them, aiming for their legs so that they would die more slowly. Once the victims were no longer able to move, the soldiers covered their bodies with fuel and set the barns on fire. Only six men escaped; one of the six men was later seen walking down a road heading to the cemetery and was later shot dead. 190 men died.

The soldiers then proceeded to the church and put an incendiary device in place there. After it was ignited, women and children tried to flee through the doors and windows of the church but were met with machine-gun fire. Two hundred forty-seven women and two hundred and five children died in the carnage. Only two women and one child survived, one was 47-year-old local housewife Marguerite Rouffanche. They had managed to slide out of a small window at the back of the church and had dropped 10 feet, at which point the Germans heard the child cry and began to shoot at them, Marguerite Rouffanche's companions died and she was wounded, she crawled and hid in the some pea bushes behind the church overnight until she was rescued. Another small group of about twenty villagers had fled Oradour-sur-Glane as soon as the soldiers had appeared. That night, the remainder of the village was razed.

A few days later, survivors were allowed to bury the dead. It was found that 642 inhabitants of Oradour-sur-Glane had been brutally murdered in a matter of hours.

Sturmbannführer Adolf Diekmann claimed that it was a just retaliation due to partisan activity in nearby Tulle and the kidnapping of Helmut Kämpfe.


原文链接：http://en.wikipedia.org/wiki/Oradour-sur-Glane

我不是不想写新片，但如今影院里的新片太少是我喜闻乐见的。

华语电影充斥垃圾。去影院看华语新片对我来说就是一个被侮辱的过程，主创和资方用他们的自负和无知侮辱我视听和审美，和票价无关。我既然不是毒Sir那种媒体，就压根连开喷都不必，根本不想回忆那种恶劣的感受。

引进电影极少惊喜，都是限定了主题（价值观）的大片。上周在网上看了一部半新片，The Accountant，会计刺客，本阿弗莱克主演，一部缺点和优点都很突出的片子。在中影引进的片子里是看不到这类的。更不用说Gone Girl这种神作了。

下面这些都是会计刺客的短评：
“《会计刺客》就是用过时的方式来呈现一个过时的好莱坞动作片里的过时的主角，然后用过时的言论来强调差异性。（《卫报》评）

“本·阿弗莱克饰演的这个角色，因为孤僻症反而更完美的数学怪咖天才，整个概念在很多层面上就让人不适应，特别还去服务于这么一个低级的犯罪故事，看得人痛苦。（《滚石》评）

“影片将老套的动作片元素建立在不靠谱的故事大纲之上，显得有些混乱，它要么让你感到愤怒，要么令你开怀大笑。（《费城问询者》评）

“影片在主人公的带动下，观众能找到笑点和刺激之处，还有较为罕见的一点是，看完该片后居然会有点儿期待它的续集。（《TheWrap》评）

“该片的问题在于结局部分。阿弗莱克在片中饰演的具有社交恐惧症和计算天赋的神枪手给我带来了惊喜，但是整个故事情节在最后一幕变得毫无道理。（《纽约每日新闻》评）

“影片的很大一部分还算具有可看性，也很有优质动作片的气质，但是最终却沦为一部贻笑大方的失败品，可以说浪费了观众的两个小时。（《旧金山纪事报》评）”

这就是会计刺客的外媒简评。要说写影评，就是要写这种片子才有意思。当下绝大多数华语电影要么在拼了命的表现思想、要么在拼了命的展示下限，用各种最不堪的高调和低调来跪舔资本。不难理解连毒Sir的影评都越来越多戾气和价值观输出了。

而我只想简单的看个电影，简单的码点字。

《老枪》就是一部简单的电影，简单到根本不怕剧透。

二战期间，一位家境殷实的法国军医在战前爱上了个无业少女并结婚，还有了女儿。没过几年好日子就开战了。就在战争要结束之前，医生的妻女被送到乡下，躲避城市里的迫害，结果反而遇到了撤退中的德军，妻女全被害死，村民也被屠杀。医生拿起爷爷祖传的双管猎枪，在自己熟悉的村落和城堡里，把来不及撤走的德军全杀光。

这部在当年首届法国电影恺撒奖拿奖到手软的电影，演员方面也星光耀眼，很多老片都这样。

医生的演员菲利浦·诺瓦雷最为中国观众熟悉的荧幕形象是《天堂电影院》里的老放映师。他在本片饰演的医生，在形象上看就是个“轴子”。轴子是北方话描述那种脑子一根筋的人，很多电影的主角都是这种人，比如肖申克。




扮演医生妻子的罗密·施奈德享誉世界的角色是《茜茜公主》。我一直认为她只是医生的第二个妻子，尽管她在拍摄本片时候已经36岁了，真的看的出年龄了。我觉得让她看起来显老的原因并不在于年龄，而是在于次年她就和第一任丈夫离婚了。






罗密虽然大红大紫，但命运挺惨的。可以看得出来她不是法国人，明显体格五官都壮一些，德国女人特征。一部法国反战的电影女主角是说德国话的奥地利人（和元首一样），很法国。

作为法国意识流电影代表作，用的是现实夹杂回忆的方式。拿到今天来说，就是所谓的非线性叙事。导演不会玩非线性叙事在今天有点像摄影师不会PS液化。但问题是非线性叙事最怕的就是叙事节奏拖沓混乱。说白了，如果在该有果断动作的时候角色总要停下来忆往昔，镜头剪接让观众看不懂，那片子就没法看了。所幸本片完全没有节奏的问题。

最能体现节奏处理的一场戏，是医生开枪打死试图从悬崖吊下来逃走的鬼子。医生已经把枪举起瞄准了，忽然想起妻子说如果再有一个儿子就叫大卫。镜头到这里我简直比医生还紧张，生怕画面一切又来个闪回，无非就是一枪的事儿又给我拖上几分钟。所幸妻子的话只是一句旁白，医生果断开枪，我心里的石头也和鬼子一起落地了。



重看这部片子，我就感觉，好像真的没有其他任何一部杀鬼子主题的电影能拍的这么有人性。怎么把杀鬼子的电影拍出人性？前提是主创自己要有人性，要懂生活。这样才能知道怎么安排剧情最合理、怎么设计对白最自然、怎么运用镜头最有表现力。要不怎么让观众有共鸣呢？

比如，按理说这应该是一部个人英雄电影。一个医生拿一把双管猎枪杀了一个班的党卫军，徒手夺枪。即使是放今天的好莱坞，这种角色也必然是精通格斗枪械、或者智商超群全身肌肉的形象。但本片里的主角是一个普通中年男人，挺着啤酒肚的自然状态。

再比如，我们今天听不到这样的配音、也见不到这种翻译了。






我听这句台词的时候真的和屏幕上的医生护士一起笑，作为上司对一个业务不够好但长相漂亮的下属做无伤大雅的善意批评来说，这已经是最自然的了。