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入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)2003年中央电视台春节联欢晚会陨石撞地球慌心体验阿凡达：深入潘多拉卡片战斗先导者 Divinez尖刀队阴阳师·平安物语第三季朝鲜驱魔师真爱无价旺达·塞克丝：就是要搞笑我的儿子练气十万年潜行吧! 奈亚子W处方暴徒法证先锋 国语版给女人投资，我成了世界首富怪物岛(英语版)魔鬼的陷阱狐影多哥2022Buddy Complex我们这样的人光影上帝未死2玄奘大师穿成女配，把高冷霸总钓成翘嘴十二猴子第四季我变成野兽的夜晚 第三季之不该爱上的对象周游东京巴比龙1973国语夺命刺客极乐大餐搭配爱滋味石婚如来神掌1982棒打薄情郎月光下的异世界之旅 第二季辣警狂花3
入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)2003年中央电视台春节联欢晚会陨石撞地球慌心体验阿凡达：深入潘多拉卡片战斗先导者 Divinez尖刀队阴阳师·平安物语第三季朝鲜驱魔师真爱无价旺达·塞克丝：就是要搞笑我的儿子练气十万年潜行吧! 奈亚子W处方暴徒法证先锋 国语版给女人投资，我成了世界首富怪物岛(英语版)魔鬼的陷阱狐影多哥2022Buddy Complex我们这样的人光影上帝未死2玄奘大师穿成女配，把高冷霸总钓成翘嘴十二猴子第四季我变成野兽的夜晚 第三季之不该爱上的对象周游东京巴比龙1973国语夺命刺客极乐大餐搭配爱滋味石婚如来神掌1982棒打薄情郎月光下的异世界之旅 第二季辣警狂花3