白色情人节1999

I love this movie, when I first watch it, I did not like it at all, but when I rethink about it, watch it again, it is touch me very much. This movie, it is not about how much good at its plot, it is good at emotion it want express. It will make me think about first love. I love actress way to deal her feeling for the actor. She know he is the man she write all these years, she know how much she love him, but she did not tell him, because she did not want disturb him, so she choice accompany him quietly. and she painting, the painting place her love,her missing, all her feeling for him. many years later, she published all her painting, coincidentally, he see that book and know she is the girl who accompany him before, at that moment, he finally acknowledge her feeling all these years, it already very beautiful, love is just oneself thing, you ever did not need to tell the person you love, even you just let all the feeling stay in you heart, it still be very beautiful. because love someone feeling will always stays in you mind, many years later, both of them think about it, I think they will still have beautiful memories stay in their heart,it is enough. They are together or not is not so important, most important is we all remember or we all ever have this kind feeling, beside I think painting your love for someone, and published as a book, and he could pick it in the bookstore, and watch it and acknowledge all the painting is you saying you love him, it is quite impossible romantic. nowadays most of people are lack of this feeling, maybe we could replay in here.

      不知为什么昨晚在播放器里偶然看到了这不全智贤的片子，我也知道会很闷骚的，但不知道为什么在早上的时候外面的想起来了锯铁片的声音，又再一次被装修的声音惊醒，一看竟然只是7点半左右，吃了个早餐就看了。
   很缓慢，画面很讲究，那种单身的乱，女儿家的闺房的小情趣，更不用说那个窗台了。演技很雏，特别是那个对着窗外自白的时候，那种看着镜头讲话的感觉太强了，根本不像一个人独对空窗。查了一下，这部戏是全的第一大银幕作品，当时的她确实只有18岁，真的是本色演出，最为突出的就是她几次被玄俊和那个痴情男吓着的时那种埋怨和小不悦的神情真的是本色呢（虽然肢体动作还是有点多）。当然好象跳舞这种高难度的戏对于当时的全确实是有点勉强了，跳完之后男主角轻浮的坐下去，还导致我以为会出现什么不纯洁的行为，唉。。。。。。幸好切了个角度，玄俊又再一脸严肃的讲回忆。
   导演很明显的就是搞怀旧，怀念就是这部戏的主题，刚开始就讲了一段几乎可以再拍一部戏的故事，朦胧青葱纯，之后就漫不经心的，擦肩而过，明显的暗恋（刚出场的时候我还以为这是用来搞笑的，调节气氛的），浑浊的家庭故事，少女的情怀（湖边的苹果、画画等都是），连带羞涩的黄昏恋，打就是爱的亲情，还来个飞鸽传书。当我看到那夸张的连线追踪时我以为，这结局会是爷爷历经挫折和奶奶同谐白老，男女猪脚失之交臂（撞车、生病、赶不上公车等等意外），再过个n年当一切云淡风轻的时候，再蓦然聚首来个会心一笑什么的。
   当然看完结局后我可以说以上都是电影艺术的夸张手法，最后的故事告诉我们：痴情的就是忍着鼻敏感的帮你养狗还常年亲近也不见得会得到对方的一瞥，即使身无旁骛知根知底的了解又近在咫尺也不见得可以生活在同一屋檐下，而人与人的距离都总是不远，只要有心不管身在天涯海角，间隔就只是几本书。只是心与心的距离还是犹如晨雾般飘渺不定。
    
    可能是离开宿舍的前夕，又或许是起得早睡不够，总是有点感伤，连带一边听着once upon a dream一边写这东西。我相信也知道有很多人说着矫情，不坦白，喜欢就喜欢，讲清楚就好了，为什么跳舞的时候不告诉他我就是你口中的小学生啊，为什么都找回来了，到最后还是把画册放下呢？做作。大可以追啊，找个人还怕找不到，找到就死缠烂打或是待在身边等，反正两情相悦，总有一天会开诚布公，坦然相对，放下过去重新开始的。我不得不承认这是一种思路，是一种有效的抱得美人归的手段，两人终于在一起有能够给予对方幸福这不是两全其美吗？但前提是两个人在一起会幸福，而这是谁都无法保证，难保以后的日子不会为了一点柴米油盐而闹得不可开交，当出现这种情况的时候再想起当初的种种努力，就会觉得不值了。当然此时出现的又会是其他的问题，是婚姻、相处、生活的问题，只是这也距离当初想要的东西--那种心意相通、无言的关切相去甚远了。当然我们可以说只是爱情换了一个口味，也未尝不可一试，只是这种东西就像是颜料一样，当把红色混到蓝色中变成紫色，后来又把黄色加进去就会变成黑色，而这种黑色是不管再添加任何东西都无法再变的了。当知道这些以后还会有人冒险的强求在一起吗？这事是真的需要勇气。所以不强求，所以宁愿放下。
    电影的主题是怀念，怀念是总喜欢过去的美好。在怀念的日子慢慢地看一下也不错。下面是整部戏里唯一让我心泛起涟漪的一句，大家不妨在看的时候细细体味。
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    随着时间的流逝，等候逐渐淡然了，但不知道怎样不去怀念。离开的人逐渐增多，要怀念的人也逐渐多起来，对我来说，只剩下要怀念的人。

I love this movie, when I first watch it, I did not like it at all, but when I rethink about it, watch it again, it is touch me very much. This movie, it is not about how much good at its plot, it is good at emotion it want express. It will make me think about first love. I love actress way to deal her feeling for the actor. She know he is the man she write all these years, she know how much she love him, but she did not tell him, because she did not want disturb him, so she choice accompany him quietly. and she painting, the painting place her love,her missing, all her feeling for him. many years later, she published all her painting, coincidentally, he see that book and know she is the girl who accompany him before, at that moment, he finally acknowledge her feeling all these years, it already very beautiful, love is just oneself thing, you ever did not need to tell the person you love, even you just let all the feeling stay in you heart, it still be very beautiful. because love someone feeling will always stays in you mind, many years later, both of them think about it, I think they will still have beautiful memories stay in their heart,it is enough. They are together or not is not so important, most important is we all remember or we all ever have this kind feeling, beside I think painting your love for someone, and published as a book, and he could pick it in the bookstore, and watch it and acknowledge all the painting is you saying you love him, it is quite impossible romantic. nowadays most of people are lack of this feeling, maybe we could replay in here.

     时隔十三年看这个片子，不算晚吧！恰恰是各类小清新时代，来点真真正正的小清新，呼吸一口，肺都是甜的。
   它既是这般简简单单讲暗恋。这般的不轰轰烈烈，就像我一直不明白为什么那么多人喜欢《这些年》一样，别人也不需要明白为什么我会对这部片这么偏爱。在我看来它远比 《这些年》要来得质朴纯真，致敏对爷爷的爱，对画画的热情，对大叔的暗恋，其实就是一句顶嘴，一份对爸爸的怀念，一本洁白的插画。
   老实说，我也是快进看完这部片的，实在是没有什么噱头的剧情。谁说它就是要有点噱头，本来就是一种对少女神情细节内心表现放大的一种类型的电影。
   还有不得不说女猪脚里边的衣服，都是我喜欢的那类型，简单的海魂毛衣，男式长裤，如此清丽大方，活脱脱一位俏皮、灵性的邻家少女形象。剧中的希望书林，那间小阁楼亦是我向往之久的深闺，一个简单的小窗台，放鸽子也好，期盼也好。
   剧里最最印象深刻的一片段，是致敏为了找出和她通信的那位神秘大叔，竟拿出一卷长长的毛线绑住信鸽，像放风筝般，真相于一卷毛线之间抽丝剥茧。致敏便是奋力追随信鸽沿天空放下的记号，镜头焦距到很多个接头的毛线上。