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I have never imagined that I would write a film review in English. Because when referring to feeling and culture, I can hardly express my whole idea in Chinese, let alone in English. Well, just have a try. The Gua Sha Treatment is designed to discuss the culture differences. We can know that from Datong, the name of the leading man. Datong is a classical Chinese term. It refers to a utopian vision of the world in which everyone and everything is at peace. While life always plays jokes on people, Datong’s peaceful life didn’t last long. He was accused of abusing his son because of the bruises from Gua Sha. Actually, Datong was not the person who gave the little boy Gua Sha treatment. It’s his father. But Datong decided to be a scapegoat. This was a culture difference. In Chinese traditional culture, law is not important than affection. Though we also praise those people who put righteousness above family loyalty, nobody wants that happen to themselves. Chinese think that being a scapegoat for family members especially for father or mother is a responsibility. The biggest culture difference the film showed us was that Chinese culture was based on experience while western based on specific evidences. Gua Sha has been used as a treatment for thousands years, and many people advocate it for their own experience. Just like many Ancient Chinese technique, we just know it is useful but we can’t explain it clearly. So to persuade westerner to believe it seems impossible. Then cultures conflict happens. But we can’t directly blame westerner in this case. Not only Gua Sha, but also laugh therapy and so on are not accepted by westerner as normal treatments. It’s a responsible attitude for life. Because we know little about these treatments, we cannot make sure what is going to happen. And how we should deal with it? Ancient Chinese have given us the answer: When in Rome, do as the Romans do. But we should not abandon our own culture, just like Gua Sha, a treatment that helps blood circulate better. So keep on Gua Sha and communication. May be someday there will be a Datong World.
culture strike什么的 真的很恐怖啊... 不知道为什么分没想象中高 父子情 中国文化描述的也很不错 就是最后结局有那么点夸张了 爸爸 你为什么从窗户进来啊? 因为我们家没有烟囱.... 还有 蒋雯丽真漂亮
听过法律基础老师上课喜欢放电影了 上次放的《秋菊打官司》 这次放的《刮痧》他以法律与文化作为开题 根据他的法律视角的解读 部电影的主要矛盾在与 自然法和分析法的矛盾 当然其中还提及文明的冲突 法律工作者的形象 亲情 爱情等等 赞同蒋雯丽演得太假了 结尾比较苍白
讲述中美差异,治病的刮痧竟成了犯罪的铁证,为接回孩子,夫妇俩竟闹得分居,听起来荒诞却又是事实影片里的蒋雯丽可真美,梁家辉饰演的丈夫把我气得要死,莽撞无脑,冲动易怒,净帮倒忙……电影整体不错,演员演绎得都很好,部分剧情生硬也无伤大雅
梁家辉演的真的好
为了主题而故事的痕迹过重,不过梁家辉在片中依旧延续着其高质而稳定的演出,他是我眼中唯一能被任意放置在港、台、大陆等各地影片中却不显突兀的演员~~
朱旭老爷子真心NB,蒋雯丽演得也很出彩,但是,演得最好最好的,还是梁家辉啊。梁家辉是真正的影帝!
表现得并不仅仅是表层的文化差异 更是对这种文化差异处在一种极度不对等不公平的环境之中的无奈和批判 但是夫妻俩边喝酒边互骂一段拍得太做作了【为生在中国 能够有机会接触了解西方文化而感到庆幸 而不像西方社会对东方文化存在太多的误读和曲解 其实这也算是一种文化的闭锁吧?
不是简单在说文化冲突了,更重要的是对两种文化中的权力关系不对等一种发泄,梁家辉的歇斯底里,更多是作者面对这种文化权力结构的歇斯底里。
当中国文化撞向美国文化……不过而今中医在外国人中已经渐渐盛行起来了,外国人在养生方面并不是太无知的
过于煽情了,这种对亲情的过度渲染是一个的败笔,好消息是梁家辉继续着稳定的、高质量的表演输出,他真是唯一一个放在内地、香港、台湾任何一部电影里面都让人不会觉得太突兀的好演员,另外把他放到东南亚电影,比如越南电影也不突兀,真难得!PS还是觉得表现东西文化差异的片应该讲究含蓄、点到为止。
美国人真的是事妈
A little bit too dramatized. But still a good story and it was shot in St. Louis. 8.5 out of 10
还是表现文化差异。这是一种双边误会,美国法律误解中国文化,中国人情误解了美式人权。表达叙述之中有太多中国国产大陆剧的煽情手法了。梁家辉和蒋雯丽的表演可圈可点,但是不得不说朱旭老爷子,哎哟,每次见到他的表演,气定神闲,游刃有余,唯有钦佩。7.4
挺感人的,戏剧冲突很浓烈,也是真人真事改编.听说小孩到现在也没有回到父母身边
看着很心酸,文化差异造成的误解把事情变得天差地别,孩子被隔离,丈夫辞了职,老头回了国,夫妻分了居。都说美国好,我们说的礼俗、文化,他们不懂,什么叫孝顺?什么叫棍棒底下出孝子?当然现在也是提倡讲道理,但有些孩子很皮,讲道理听不进去。梁家辉和朱旭演的很好
我觉得最后的理解显得有点一厢情愿,毕竟东西文化之间的沟壑何止千万。我不懂的是,为什么蒋雯丽和梁家辉说话也要说英文啊,都是中国人好么。以及,外国佬真是少见多怪,刮痧就是虐待,那还有饮尿放血拔火罐刮骨疗伤的呢。。
Because hi's a Chinese.
对于“美国”而言,《刮痧》似乎有所洞察,而有理有据,单手从开场对于Video Game=Violence的抗议再到文本自身的冲突设置均表明:除却对于“西方人对于刮痧的误解”之外,它本身是政治问题而不是社会—文化的问题,开场男主人公许大同对于“美国梦”的陈述并非反讽,真正的反讽在于左翼—民主党话语之下的自以为是,回到影片开场,是否会让人回忆起希拉里一派对于GTA的强烈反对态度?究竟是谁在限制Diversity?但是《刮痧》并不是美国共和党的宣传片,而是中国90年代文化的余波,“镜城”的其中一面(借用戴锦华的比喻),相对于李安的Multi-Cultural文化背景,它却站在“中国”的主体性,满足了官方话语所急需的“国学价值”之复兴,但令人欣喜的是,导演依然从中埋藏了些许“私货”。
内容4星,片子3星。朱旭5星。
跨文化交际上老师播放的影片。刮痧在中国本来是很正常很普遍的,但在外国却成了虐待儿童,所以有时候很有必要了解各国文化差异,避免此类麻烦。