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Triumphs and Laments documents one of contemporary artist William Kentridge’s most ambitious and controversial projects: a colossal frieze along the banks of the Tiber river in Rome portraying the glories and tragedies of the Eternal City that was commissioned in the summer of 2016. The film, shot with exclusive access to Kentridge over the course of two years from his home in South Africa to the center of Rome, details the artist’s vision and his creative process in developing a work of art that will disappear in just a few years.丑陋的真相玻璃城堡化铁炉的街优昙婆罗终止（国语版）危险情人小空间大改造 第五季海豹突击队 第二季历史的使命九州海上牧云记大话江湖录圣诞恋情：小提琴之弦圣斗士星矢 冥王哈迪斯冥界篇 前章写不出的情话玩偶2002面具制作者圣兽机Guardian珠光宝气鲨与鲸不可言说之手机的秘密虎纹少女与君相恋100次 （国语版）我们等待自由筷仙金总夫人真千金调音师2018魔术师：不可能的生活猪猪侠之竞球英雄传第二季太阳之家借亲配1959真假疑凶国语快乐东西第四季整蛊专家粤语版约会规则第六季古惑仔：以暴制暴失衡凶间之恶念之最 粤语版难哄昆塔：盒子总动员宝贝老板：重围商界第四季缩水情人梦普通话岁月如金草莽英雄数字媒体：21世纪的新学习者核弹门捷列夫很忙
Triumphs and Laments documents one of contemporary artist William Kentridge’s most ambitious and controversial projects: a colossal frieze along the banks of the Tiber river in Rome portraying the glories and tragedies of the Eternal City that was commissioned in the summer of 2016. The film, shot with exclusive access to Kentridge over the course of two years from his home in South Africa to the center of Rome, details the artist’s vision and his creative process in developing a work of art that will disappear in just a few years.丑陋的真相玻璃城堡化铁炉的街优昙婆罗终止（国语版）危险情人小空间大改造 第五季海豹突击队 第二季历史的使命九州海上牧云记大话江湖录圣诞恋情：小提琴之弦圣斗士星矢 冥王哈迪斯冥界篇 前章写不出的情话玩偶2002面具制作者圣兽机Guardian珠光宝气鲨与鲸不可言说之手机的秘密虎纹少女与君相恋100次 （国语版）我们等待自由筷仙金总夫人真千金调音师2018魔术师：不可能的生活猪猪侠之竞球英雄传第二季太阳之家借亲配1959真假疑凶国语快乐东西第四季整蛊专家粤语版约会规则第六季古惑仔：以暴制暴失衡凶间之恶念之最 粤语版难哄昆塔：盒子总动员宝贝老板：重围商界第四季缩水情人梦普通话岁月如金草莽英雄数字媒体：21世纪的新学习者核弹门捷列夫很忙
长篇影评
1 ) 今晚BBC对肯特里奇的访谈
"follow the less good idea; of course you start a rehearsal from something specific ; a music ; a choreography; but then on the edge of the carefully rehearsed, emerges something like a sparkle; an improvisation at the end of the choreography; you realise that the peripheral can be central. There's something political here, the big ideas, communism, capitalism, end of history, there is catastrophe lurking in big certainties. it's on the edge of those certainties that something organic might flourish. " (凭记忆，大意）。
立体的艺术家
Wunderbar!
创作部分介绍得较少，主要作纪录用
give and forgive 项目总监因为一次醒悟为肯德里奇这个项目跑了10年，真不容易最后还是非常震撼，依然还是用柏拉图洞穴之喻，里面女歌手很霸气
Kentridge真的让人不服不行，政治议题上的深刻与形式集大成的复合有机的程度实在太高，他在影片里有句说的好“我的工作室就像全世界”，各种图像音乐素材为他所驾驭，至少在音乐元素的混合生成上是我觉得目前最厉害的，对各个形式的语言的认识和控制力太猛，全才，综合性大师。
太短了！肯特里奇在绘画、舞台、音乐以及表演，都太有品味了，更厉害的是对历史和城市记忆的关注……中国艺术家差太多。
同行的观众觉得他“让罗马活起来”。不知道。感觉这个纪录片从一开始就把肯特里奇作为一个具体的“城市空间设计师”来讲，一开始就从功能性公共艺术来讲，基本上也是丢掉了肯特里奇的优势特征了。