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十二年前，一位美若惊鸿的唱诗班少女乔安娜·华莱士（奥黛丽·赫本 Audrey Hepburn饰），一个努力上进的建筑师马克·华莱士（阿尔伯特·芬尼 Albert Finney饰），以及一段浪漫的完美邂逅。十二年后，他们却不得不开始面对两人间存在的严重婚姻危机。从一见钟情到热恋结婚，从当年的信誓旦旦到如今的同床异梦，十二年来的婚姻生活恍如隔世。为了挽救他们之间濒临破裂的夫妻关系以及名存实亡的爱情，乔安娜与马克开始了环游法国的寻爱之旅。 由斯坦利·多南执导，奥黛丽·赫本、阿尔伯特·芬尼携手主演的爱情喜剧电影《丽人行》，以大量意识流优美的倒叙镜头，勾勒出了两人十二年的情感历程。本片荣获1968年第40届奥斯卡金像奖最佳原创剧本提名、音乐喜剧类最佳女主角提名以及1968年第25届金球奖最佳电影配乐提名。了不起的薄伽丘创始人之日三体2023前世今生密道追踪之阴兵虎符棒球大联盟OVA：另一个结局天若有情粤语欢迎光临妈妈的餐厅水浒英雄享金猎人精灵宝可梦：冥王龙与冰空的花束雪米火云传奇厉总，夫人求抱抱苦中带甜的滋味2023国家地理：爱上狮尾狒歌之王子殿下版场版阿尼库拉波：不死传说精英罪恶黑名单 第五季iNumberNumber：约堡黄金大劫案飞跃情海幻体：续命游戏（国语版）与爱同居平摊公寓第一季24小时：遗产夺天情迷彼得堡妖宴洛阳公司可不是学校新世代逆袭篇暗夜情报员第一季旋风管家第二季气球漫游记毒液2爱你是最美的时光甜心战士：眼泪哥斯拉：决战之都怡是韶华齐天我在诡秘世界玩嗨了 动态漫画忍者战士入侵三国热街头女哨兵
十二年前，一位美若惊鸿的唱诗班少女乔安娜·华莱士（奥黛丽·赫本 Audrey Hepburn饰），一个努力上进的建筑师马克·华莱士（阿尔伯特·芬尼 Albert Finney饰），以及一段浪漫的完美邂逅。十二年后，他们却不得不开始面对两人间存在的严重婚姻危机。从一见钟情到热恋结婚，从当年的信誓旦旦到如今的同床异梦，十二年来的婚姻生活恍如隔世。为了挽救他们之间濒临破裂的夫妻关系以及名存实亡的爱情，乔安娜与马克开始了环游法国的寻爱之旅。 由斯坦利·多南执导，奥黛丽·赫本、阿尔伯特·芬尼携手主演的爱情喜剧电影《丽人行》，以大量意识流优美的倒叙镜头，勾勒出了两人十二年的情感历程。本片荣获1968年第40届奥斯卡金像奖最佳原创剧本提名、音乐喜剧类最佳女主角提名以及1968年第25届金球奖最佳电影配乐提名。了不起的薄伽丘创始人之日三体2023前世今生密道追踪之阴兵虎符棒球大联盟OVA：另一个结局天若有情粤语欢迎光临妈妈的餐厅水浒英雄享金猎人精灵宝可梦：冥王龙与冰空的花束雪米火云传奇厉总，夫人求抱抱苦中带甜的滋味2023国家地理：爱上狮尾狒歌之王子殿下版场版阿尼库拉波：不死传说精英罪恶黑名单 第五季iNumberNumber：约堡黄金大劫案飞跃情海幻体：续命游戏（国语版）与爱同居平摊公寓第一季24小时：遗产夺天情迷彼得堡妖宴洛阳公司可不是学校新世代逆袭篇暗夜情报员第一季旋风管家第二季气球漫游记毒液2爱你是最美的时光甜心战士：眼泪哥斯拉：决战之都怡是韶华齐天我在诡秘世界玩嗨了 动态漫画忍者战士入侵三国热街头女哨兵
长篇影评
1 ) that just life
电影记录了一对恋人三段时期的出行：恋人时、新婚时、中年时。
电影剪辑很棒 三段出行交错进行，互为交代，类似事件在不同时期的不同体验感予以我感触与思考：
电影中唯一不变的是赫本的美颜，一颦一蹙尽显风致，尽管此时的赫本已经四十有余，却总能在她与世界交流的明眸中看到未被污染的那一丝童真，也懂得了美人在骨不在皮。
影片情节均在人意料之中，六十年代的电影中现实婚姻问题与如今社会的茫茫众生所虑所忧也几乎如出一辙----随性的 逆境中仍能懵懂着的灿烂，伴随着升职，女儿的长大，偶尔的一夜情，夫妻好像渐渐长大了，变得优雅，懂得了克制，拥有了事业，他们不在因情而接吻，做爱：吵架时也更加理智，不再随处怒吼被磨平了所有棱角。
婚姻生活的现实我暂时体验不到，但相比他们情窦初开之时所展现出的青春无惧，二十出头的我似乎早已缺少了这一份风采，种种现实的牵制让我畏缩，不大会盲目的一头扎入爱河，随性的做着不考虑后果的年轻事儿。
影片中的婚姻摇摇欲坠，彼此在一次次相互妥协与回归中努力维持着，虽然这么看着总让人觉得憋屈，但直到影片结束也并未给这段婚姻一个出路，指一个方向。That just life，生活即一段又一段走不完的旅程，绝大多数平庸的我们都处在灰色地带，日复一日靠着一点点自己制造的期待过着不十分开心亦不十分难过的每一天，偶尔编织浪漫，偶尔为了鸡毛蒜皮的小事发了疯的争吵，与其说是不稳定，倒不如说是为一潭死水般的婚后生活增添了几分真实感。
影片是否也是为了给我们这些尚未接触婚姻，每天歌颂爱情与自由的娃娃们泼一瓢冷水呢？毕竟在我们看来，找一个彼此相爱的人走到婚姻的殿堂已经艰难的难以想象了吧，殊不知这仅是开头而并非终结。
2 ) Temporal Design
According to Casper with Edwards, there are five time periods in Two for the Road. I would love to categorize these periods to three phases for every ordinary couple: in love wondering whether to be married or not, in marriage wondering whether to have a child or not, being parents wondering whether to divorce or not. Instead of displaying the changes of relationship in a chronological order, the film uses a lot of cross-cutting in terms of same space but a different time. Flashing back and forth to what happened before and after in the same journey for ten years, audience gain a more thorough sensation that it is the memory, along with other factors, in a relationship that keeps people together.
The director, Stanley Donen, puts the scenes together depending on the content and themes of the shots of the different period. Many of the interesting cuts won’t connect due to the spatial and temporal discontinuity, as Professor Casper lectured. In order to let the audience be aware of the change of time, characters have different clothes, hairstyle and cart types. For instance, when Joanna asked Mark “What kind of people would sit like that without a word to say to each other?”, Mark replied married people, then the next scene is that married Mark and Joanna not talking to each other while dining. Another example is when they don’t have a car, they imagined if they own a car in future they will definitely offer people on the road a drive, then the next scene is that they drive fastly across the same bridge, ignoring a couple on the road. All these cuttings add the humor of the movie.
3 ) FIFF2丨DAY1《丽人行》我们终究会一起天长地久、互相折磨
第2届#法罗岛电影节#无人知晓单元第1个放映日为大家带来开幕片《丽人行》，下面为大家带来前线夫妻们数年之痒的恩怨评价了！
Candice：
赫本是天生的衣架子，穿什么都好看！多时空叙事过分赘余，做作之情由表入里。
汤达人：
轻松的意识流喜剧，通过大量的蒙太奇把碎片化的信息串起来了，这很高明，至少对观众很友好，再加上整个剪辑行云流水增加感官刺激。
妓导缪斯：
一首直达灵魂深处的生活“散文诗”，跟随导演的镜头，剪辑和电影的节奏探讨了爱情与婚姻每个阶段的状态和问题。
如果把爱情与婚姻比作花朵，那么爱情的玫瑰绽放的一瞬间释放的是激情和甜蜜，等到婚姻开始以后，替代它的却是责任，默契和随岁月沉淀的平淡。
影终人散，伤感亦或是甜蜜的影像好似蜻蜓点水一般轻柔地触摸在记忆深处，那样细微却那样深刻。穷其一生亦或是如此，既不会热情似火，也不会冰冷如山，跌宕起伏，大起大落的生活才是生活永远的规律。当生命的果实成熟获取只会收获一丝平静。
子夜无人：
几十年的婚恋纠缠、分分合合，都被打乱在旅途和通往旅途的路上。也许一切都会回到原点，变成一句“我们终究会过下去”的收笔，但看见的底色仍然是哀怜的，再多的相悦，也要让位于天长地久的祈求。
Her Majesty：
从邂逅、互相喜欢到爱的过程，疲倦的感觉是不得不去忍受的，就像不得不忍受片子里的赫本演一个毫无风韵的方脸中年妇女。漂亮的剪辑和节奏。
法罗岛岛主：
爱情最后都会变成亲情，这句话越听越惊悚。浓情蜜意耗尽于柴米油盐市井烟火之中，接下来就是几十年的煎熬、折磨、背叛、分歧，更不幸的是沦为兰因絮果，一地鸡毛，你们称这个为幸福？平淡的生活中该有一点bitch和bastard的激情。
我略知她一二：
从纸婚到布婚，我爱的是你俊美的脸庞；
从皮婚到丝婚，你爱的是我甜言的蜜语；
从木婚到铁婚，我看到的是激情的消褪；
从铜婚到电婚，你看到的是争吵的哭泣；
从陶婚到锡婚，我想要的是初遇的微笑；
从钢婚到麻婚，你想要的是未来的执手。
#FIFF2#DAY1的无人知晓场刊评分稍后会在广播中为大家释出，请大家拭目以待了。
4 ) 台词摘录
213
00:20:40,239 --> 00:20:43,208
We won't have to waste a minute
stopping for lunch.
214
00:20:43,542 --> 00:20:46,340
The trouble with women is
they try to label you...
215
00:20:46,411 --> 00:20:48,106
put you in a pigeonhole.
216
00:20:49,414 --> 00:20:51,382
What they don't realize is...
217
00:20:52,851 --> 00:20:56,014
the only thing that fits in a pigeonhole
is a pigeon.
218
00:20:57,055 --> 00:20:59,080
Marriage is all they ever think about.
219
00:20:59,191 --> 00:21:01,989
l don't intend to get married
for at least 40 years.
220
00:21:08,233 --> 00:21:12,067
lt's not that l have anything against sex.
lt's contracts l don't go for.
221
00:21:12,204 --> 00:21:15,173
Promise of long service and good conduct.
Are you a virgin?
222
00:21:15,540 --> 00:21:17,770
Thought you were. Could always tell.
223
00:21:18,043 --> 00:21:19,340
Congratulations.
224
00:21:19,411 --> 00:21:22,278
l was two years
at the University of Chicago.
225
00:21:22,381 --> 00:21:24,372
Studying virgin detection?
226
00:21:25,517 --> 00:21:28,418
Only at night school.
Architecture during the day.
227
00:21:28,754 --> 00:21:31,279
l always thought American women
would be different.
228
00:21:31,390 --> 00:21:33,881
l thought they'd broken
the inhibitions barrier...
229
00:21:33,959 --> 00:21:35,790
and it was all one long sex feast.
230
00:21:35,894 --> 00:21:38,089
-No?
-But no.
231
00:21:38,263 --> 00:21:40,959
The nicely brought-up American girl
plays cool and modern...
232
00:21:41,066 --> 00:21:44,035
but what she wants
is what her grandmother wanted:
233
00:21:45,337 --> 00:21:48,431
your head stuffed and mounted
on the living room wall.
234
00:21:50,742 --> 00:21:54,906
And if you don't want it that way,
you can take your loving self elsewhere...
235
00:21:55,080 --> 00:21:57,014
speaking quite generally, of course.
236
00:21:57,115 --> 00:21:59,583
Of course. Who was she?
237
00:22:01,853 --> 00:22:03,252
What do you mean?
238
00:22:04,389 --> 00:22:07,222
Her name was Cathy Seligman,
if you must know.
239
00:22:07,559 --> 00:22:10,858
She was selfish, grasping, philistine...
240
00:22:11,096 --> 00:22:15,089
materialistic, stubborn, opinionated.
l was crazy about her.
241
00:22:15,467 --> 00:22:17,458
Lucky for you, you'll never meet her.
242
00:22:17,569 --> 00:22:20,629
She's now
Mrs. Howard Maxwell Manchester.
243
00:22:22,240 --> 00:22:24,572
l always knew you two had to meet.
244
00:22:24,776 --> 00:22:28,644
''There's only one drawback,'' Howard said.
''We'll have to go to Greece.''
===================
327
00:27:38,723 --> 00:27:43,422
lt's very reassuring at times
to retain a certain flexibility of attitude.
328
00:27:44,729 --> 00:27:48,756
Howard has a tremendously mature
quality. That's what l love about him.
329
00:27:49,034 --> 00:27:51,025
He has quiet assurance.
330
00:27:52,837 --> 00:27:56,773
-Don't you think he has quiet assurance?
-Very quiet assurance.
331
00:27:56,908 --> 00:27:58,808
He's the husband type.
332
00:27:59,411 --> 00:28:02,278
You were always the lover type.
l guess you still are.
333
00:28:02,380 --> 00:28:05,213
l've been married to Joanna
for nearly two years.
334
00:28:05,283 --> 00:28:09,083
But your relationship is basically volatile.
Anyone can see that.
==========
想Jules et Jim ，筋疲力尽~~~ 又是臆想的 分手，一人在车上，一人下车，
============
347
00:29:05,009 --> 00:29:07,944
Very funny, isn't it?
But l happen to have a schedule.
348
00:29:08,012 --> 00:29:12,005
The trouble is, there's two of us.
That's the basis of the whole trouble.
349
00:29:12,917 --> 00:29:17,786
lf l ever have a car, l swear l'll never pass
a single hitchhiker as long as l live.
350
00:29:27,031 --> 00:29:29,090
Must we dice with death?
351
00:29:33,838 --> 00:29:37,638
Since when has this car
got only two speeds, 1 10 and stop?
352
00:29:37,709 --> 00:29:41,338
-l'll tell you what, you drive.
-l'll tell you what, l'll walk.
353
00:29:41,412 --> 00:29:42,879
Okay, walk!
354
00:29:44,149 --> 00:29:46,379
Come on, Jo, don't be silly.
355
00:29:49,020 --> 00:29:52,217
You'd be far better off on your own,
wouldn't you?
356
00:29:52,323 --> 00:29:54,188
Oh, not again, Joanna!
357
00:29:54,259 --> 00:29:57,251
You want to get on, l know.
Maurice is waiting.
358
00:29:57,362 --> 00:29:58,659
Let him wait.
359
00:29:58,730 --> 00:30:01,597
He's got you on a line.
All he has to do is reel you in.
360
00:30:01,699 --> 00:30:05,100
Shut up about Maurice. lf it weren't
for him, you know what we'd be?
361
00:30:05,236 --> 00:30:06,328
-Happy!
-Broke.
362
00:30:06,437 --> 00:30:07,529
Broke and happy.
363
00:30:07,639 --> 00:30:10,107
You wanna go back to living in a cellar?
You hated it.
364
00:30:10,208 --> 00:30:12,267
-l loved it.
-You hated it.
365
00:30:13,077 --> 00:30:14,476
l hated it.
366
00:30:15,046 --> 00:30:17,606
l hate being at other people's
beck and call.
367
00:30:17,715 --> 00:30:21,048
As soon as someone becks or calls,
l resent it, that's all.
368
00:30:21,119 --> 00:30:23,314
Okay, you run the show. You handle it.
369
00:30:23,421 --> 00:30:26,982
You worry about the house, the flat,
Nanny, and Mrs. Rathbone.
370
00:30:27,091 --> 00:30:29,116
l don't want any of them.
371
00:30:29,227 --> 00:30:32,822
Do l? Am l the one that wants
enamel sports watches?
372
00:30:34,299 --> 00:30:37,097
Take your watch. l don't want it.
l don't want anything.
373
00:30:37,168 --> 00:30:41,002
Why is it, when you give a woman what
she wants, she gets so bloody minded?
374
00:30:41,139 --> 00:30:44,802
You don't give me what l want.
You give me what you want to give me.
375
00:30:46,010 --> 00:30:47,807
Joanna, your watch.
376
00:30:49,180 --> 00:30:50,977
Joanna, l love you.
377
00:31:08,199 --> 00:31:10,531
Come on, Maurice is waiting.
378
00:31:11,469 --> 00:31:12,663
Bitch.
379
00:31:14,239 --> 00:31:17,675
Listen, sweetheart.
We're not going to make it together. See?
380
00:31:17,809 --> 00:31:20,573
We don't get the breaks.
So this is the kiss off.
381
00:31:20,678 --> 00:31:23,146
You take the high road,
l'll take the low road.
382
00:31:23,214 --> 00:31:26,012
We'll see who gets in where
before who. Okay?
383
00:31:26,751 --> 00:31:30,710
lf we meet again, great.
lf not, happy holidays.
384
00:31:31,222 --> 00:31:33,315
No hard feelings, but....
385
00:31:33,391 --> 00:31:35,416
-You have a schedule.
-Right.
386
00:32:28,246 --> 00:32:31,238
What happened to your slick friend
in the Alfa Romeo?
387
00:32:31,316 --> 00:32:34,444
l told him l was in love with you,
so he put me down.
388
00:32:45,663 --> 00:32:48,564
-l warn you....
-Don't.
==========
389
00:33:07,452 --> 00:33:09,818
What would you say to a cup of coffee?
两人对着桌子 托着下巴 对看着对方
390
00:34:00,038 --> 00:34:03,804
What kind of people would sit like that
without a word to say to each other?
391
00:34:03,875 --> 00:34:05,433
Married people?
392
00:34:18,856 --> 00:34:21,484
This is definitely against my principles.
393
00:34:22,660 --> 00:34:26,152
Good. l wouldn't like to think
it happened all the time.
394
00:34:26,531 --> 00:34:30,831
l had absolutely no intention
of sleeping in hotels.
395
00:34:34,105 --> 00:34:35,538
You didn't?
396
00:34:36,407 --> 00:34:39,740
Hell, no. What do you think l brought
a sleeping sack for?
397
00:34:40,778 --> 00:34:43,110
l hadn't seriously thought about it.
398
00:34:53,024 --> 00:34:55,720
-Who are you?
-Some girl.
======Some girl.========hotel伏在男人身上的Some girl.
399
00:35:08,406 --> 00:35:09,839
Sleep well?
400
00:35:10,007 --> 00:35:13,170
l think that room was
over the plate-smashing annex.
401
00:35:13,744 --> 00:35:16,212
My days for roughing it are over.
402
00:35:16,414 --> 00:35:20,282
Next time, get Maurice to reserve us
a room if you can't remember yourself...
403
00:35:20,384 --> 00:35:24,878
preferably with a carpet, and
something else in the hot tap besides....
1
00:32:34,600 --> 00:32:38,366
什么样的人会那样对坐着
却一语不发？
2
00:32:38,437 --> 00:32:39,995
已婚的人？
1
00:32:52,418 --> 00:32:55,046
这有悖于我的原则。
2
00:32:56,222 --> 00:32:59,714
很好。我不会想让它随时都会发生在你身上。
3
00:33:00,093 --> 00:33:04,393
我一点都没想过会在
旅馆里和你睡在一起。
4
00:33:07,667 --> 00:33:09,100
你没想过？
5
00:33:09,969 --> 00:33:13,302
当然不。否则你以为我买了睡袋是用来干吗的？
6
00:33:14,340 --> 00:33:16,672
我并没有认真地去想过。
1
00:33:25,586 --> 00:33:28,282
你是谁？
某个女孩。
1
00:33:39,968 --> 00:33:41,401
睡得好吗？
2
00:33:41,569 --> 00:33:44,732
我觉得那个房间是建
在碎盘机上的。
3
00:33:45,306 --> 00:33:47,774
我将就着过日子的时光已经结束了。
4
00:33:47,976 --> 00:33:51,844
下一回，让莫里斯替我们预定
一个房间，如果你自己记不起来的话……
5
00:33:51,946 --> 00:33:56,440
最好是有地毯的房间，还有热水龙头里
出来的不会再是……
===========
498
00:44:50,387 --> 00:44:53,879
l don't want to come out after lunch
to a red-hot car again.
499
00:44:55,693 --> 00:44:58,423
What does ''Reserve a la direction'' mean?
500
00:44:58,762 --> 00:45:00,627
Reserved for the management.
501
00:45:00,731 --> 00:45:02,528
Hell, we're the customers.
502
00:45:06,904 --> 00:45:09,372
Why do you think Red China is a bitch?
1
00:43:03,255 --> 00:43:05,985
预先保留位是什么意思？
2
00:43:06,324 --> 00:43:08,189
是为了管理而预留的
3
00:43:08,293 --> 00:43:10,090
哦，我们是顾客。
4
00:43:14,466 --> 00:43:16,934
你为什么觉得红色中国很坏？
5
00:43:19,437 --> 00:43:21,803
我们不可以停在这里，霍尔。
6
00:43:22,173 --> 00:43:25,574
我的意思是红色中国是一个很复杂的问题。
==============
549
00:50:07,537 --> 00:50:11,200
You're the only woman l know who's
prepared to share a bed with a sardine.
550
00:50:11,308 --> 00:50:14,539
l don't care what kind of a sardine you are.
l like you.
551
00:50:16,613 --> 00:50:19,639
-Will you hate me when l'm bowfronted?
-Undoubtedly.
552
00:50:20,550 --> 00:50:22,814
-And will you be unfaithful to me?
-Blatantly.
553
00:50:24,054 --> 00:50:26,579
-You promised l could.
-You promised you wouldn't.
554
00:50:26,656 --> 00:50:28,214
When we got married.
555
00:50:30,627 --> 00:50:32,788
Do you mind undoing what you did?
556
00:50:41,538 --> 00:50:42,562
Thanks.
557
00:50:43,273 --> 00:50:44,501
You're welcome.
558
00:50:45,809 --> 00:50:47,834
Aren't you coming to bed at all?
559
00:50:48,845 --> 00:50:49,834
Tired?
560
00:50:53,683 --> 00:50:54,707
l won't be long.
561
00:50:54,818 --> 00:50:57,844
Shall l call your secretary
and make an appointment?
562
00:50:59,389 --> 00:51:01,914
When did you start being as snide as this?
563
00:51:04,661 --> 00:51:06,993
Right after we got married, didn't l?
564
00:51:07,898 --> 00:51:09,763
-Did we get married?
-Yeah.
565
00:51:11,101 --> 00:51:12,261
Remember?
566
00:51:12,803 --> 00:51:14,828
When sex stopped being fun.
567
00:51:15,505 --> 00:51:18,440
Yeah. lt started being official.
568
00:51:20,710 --> 00:51:22,041
l remember.
569
00:51:35,692 --> 00:51:39,128
l think that lovely little lake
breeds lovely little mosquitoes.
570
00:51:39,196 --> 00:51:42,063
-l'll close the window.
-We'll suffocate.
1
00:48:02,819 --> 00:48:06,482
你是唯一一个我认识的会和一条沙丁鱼
共享一张床的女人。
2
00:48:06,590 --> 00:48:09,821
我不在意你是哪种沙丁鱼。
我喜欢你。
3
00:48:11,895 --> 00:48:14,921
当我背都驼了的时候你会讨厌我吗？
当然不会。
4
00:48:15,832 --> 00:48:18,096
你会对我不忠吗？
明显的。
1
00:48:18,336 --> 00:48:20,861
你说我允许我的。
你说过你不会的。
2
00:48:20,938 --> 00:48:22,496
在我们刚结婚的时候。
3
00:48:24,909 --> 00:48:27,070
你能放下你在做的事情一会吗？
1
00:48:34,820 --> 00:48:35,844
谢谢。
2
00:48:36,555 --> 00:48:37,783
不用谢。
3
00:48:39,091 --> 00:48:41,116
你不睡了吗？
4
00:48:42,127 --> 00:48:43,116
你很累了？
5
00:48:46,965 --> 00:48:47,989
我一会儿就来。
6
00:48:48,100 --> 00:48:51,126
我能打电话给你的秘书来预约吗？
7
00:48:52,671 --> 00:48:55,196
你什么时候变得如此会讥讽了？
1
00:48:57,400 --> 00:48:59,732
就在我们结婚了以后，不是吗？
2
00:49:00,637 --> 00:49:02,502
我们结婚了吗？
是的。
3
00:49:03,840 --> 00:49:05,000
记得吗？
4
00:49:05,542 --> 00:49:07,567
当性不再变得有趣。
5
00:49:08,244 --> 00:49:11,179
是啊，开始变成例行公事了。
6
00:49:13,449 --> 00:49:14,780
我记得。
1
00:49:27,431 --> 00:49:30,867
我想那美丽的小湖是很多可爱的
小蚊子的家园。
00:20:40,239 --> 00:20:43,208
We won't have to waste a minute
stopping for lunch.
214
00:20:43,542 --> 00:20:46,340
The trouble with women is
they try to label you...
215
00:20:46,411 --> 00:20:48,106
put you in a pigeonhole.
216
00:20:49,414 --> 00:20:51,382
What they don't realize is...
217
00:20:52,851 --> 00:20:56,014
the only thing that fits in a pigeonhole
is a pigeon.
218
00:20:57,055 --> 00:20:59,080
Marriage is all they ever think about.
219
00:20:59,191 --> 00:21:01,989
l don't intend to get married
for at least 40 years.
220
00:21:08,233 --> 00:21:12,067
lt's not that l have anything against sex.
lt's contracts l don't go for.
221
00:21:12,204 --> 00:21:15,173
Promise of long service and good conduct.
Are you a virgin?
222
00:21:15,540 --> 00:21:17,770
Thought you were. Could always tell.
223
00:21:18,043 --> 00:21:19,340
Congratulations.
224
00:21:19,411 --> 00:21:22,278
l was two years
at the University of Chicago.
225
00:21:22,381 --> 00:21:24,372
Studying virgin detection?
226
00:21:25,517 --> 00:21:28,418
Only at night school.
Architecture during the day.
227
00:21:28,754 --> 00:21:31,279
l always thought American women
would be different.
228
00:21:31,390 --> 00:21:33,881
l thought they'd broken
the inhibitions barrier...
229
00:21:33,959 --> 00:21:35,790
and it was all one long sex feast.
230
00:21:35,894 --> 00:21:38,089
-No?
-But no.
231
00:21:38,263 --> 00:21:40,959
The nicely brought-up American girl
plays cool and modern...
232
00:21:41,066 --> 00:21:44,035
but what she wants
is what her grandmother wanted:
233
00:21:45,337 --> 00:21:48,431
your head stuffed and mounted
on the living room wall.
234
00:21:50,742 --> 00:21:54,906
And if you don't want it that way,
you can take your loving self elsewhere...
235
00:21:55,080 --> 00:21:57,014
speaking quite generally, of course.
236
00:21:57,115 --> 00:21:59,583
Of course. Who was she?
237
00:22:01,853 --> 00:22:03,252
What do you mean?
238
00:22:04,389 --> 00:22:07,222
Her name was Cathy Seligman,
if you must know.
239
00:22:07,559 --> 00:22:10,858
She was selfish, grasping, philistine...
240
00:22:11,096 --> 00:22:15,089
materialistic, stubborn, opinionated.
l was crazy about her.
241
00:22:15,467 --> 00:22:17,458
Lucky for you, you'll never meet her.
242
00:22:17,569 --> 00:22:20,629
She's now
Mrs. Howard Maxwell Manchester.
243
00:22:22,240 --> 00:22:24,572
l always knew you two had to meet.
244
00:22:24,776 --> 00:22:28,644
''There's only one drawback,'' Howard said.
''We'll have to go to Greece.''
===================
327
00:27:38,723 --> 00:27:43,422
lt's very reassuring at times
to retain a certain flexibility of attitude.
328
00:27:44,729 --> 00:27:48,756
Howard has a tremendously mature
quality. That's what l love about him.
329
00:27:49,034 --> 00:27:51,025
He has quiet assurance.
330
00:27:52,837 --> 00:27:56,773
-Don't you think he has quiet assurance?
-Very quiet assurance.
331
00:27:56,908 --> 00:27:58,808
He's the husband type.
332
00:27:59,411 --> 00:28:02,278
You were always the lover type.
l guess you still are.
333
00:28:02,380 --> 00:28:05,213
l've been married to Joanna
for nearly two years.
334
00:28:05,283 --> 00:28:09,083
But your relationship is basically volatile.
Anyone can see that.
==========
想Jules et Jim ，筋疲力尽~~~ 又是臆想的 分手，一人在车上，一人下车，
============
347
00:29:05,009 --> 00:29:07,944
Very funny, isn't it?
But l happen to have a schedule.
348
00:29:08,012 --> 00:29:12,005
The trouble is, there's two of us.
That's the basis of the whole trouble.
349
00:29:12,917 --> 00:29:17,786
lf l ever have a car, l swear l'll never pass
a single hitchhiker as long as l live.
350
00:29:27,031 --> 00:29:29,090
Must we dice with death?
351
00:29:33,838 --> 00:29:37,638
Since when has this car
got only two speeds, 1 10 and stop?
352
00:29:37,709 --> 00:29:41,338
-l'll tell you what, you drive.
-l'll tell you what, l'll walk.
353
00:29:41,412 --> 00:29:42,879
Okay, walk!
354
00:29:44,149 --> 00:29:46,379
Come on, Jo, don't be silly.
355
00:29:49,020 --> 00:29:52,217
You'd be far better off on your own,
wouldn't you?
356
00:29:52,323 --> 00:29:54,188
Oh, not again, Joanna!
357
00:29:54,259 --> 00:29:57,251
You want to get on, l know.
Maurice is waiting.
358
00:29:57,362 --> 00:29:58,659
Let him wait.
359
00:29:58,730 --> 00:30:01,597
He's got you on a line.
All he has to do is reel you in.
360
00:30:01,699 --> 00:30:05,100
Shut up about Maurice. lf it weren't
for him, you know what we'd be?
361
00:30:05,236 --> 00:30:06,328
-Happy!
-Broke.
362
00:30:06,437 --> 00:30:07,529
Broke and happy.
363
00:30:07,639 --> 00:30:10,107
You wanna go back to living in a cellar?
You hated it.
364
00:30:10,208 --> 00:30:12,267
-l loved it.
-You hated it.
365
00:30:13,077 --> 00:30:14,476
l hated it.
366
00:30:15,046 --> 00:30:17,606
l hate being at other people's
beck and call.
367
00:30:17,715 --> 00:30:21,048
As soon as someone becks or calls,
l resent it, that's all.
368
00:30:21,119 --> 00:30:23,314
Okay, you run the show. You handle it.
369
00:30:23,421 --> 00:30:26,982
You worry about the house, the flat,
Nanny, and Mrs. Rathbone.
370
00:30:27,091 --> 00:30:29,116
l don't want any of them.
371
00:30:29,227 --> 00:30:32,822
Do l? Am l the one that wants
enamel sports watches?
372
00:30:34,299 --> 00:30:37,097
Take your watch. l don't want it.
l don't want anything.
373
00:30:37,168 --> 00:30:41,002
Why is it, when you give a woman what
she wants, she gets so bloody minded?
374
00:30:41,139 --> 00:30:44,802
You don't give me what l want.
You give me what you want to give me.
375
00:30:46,010 --> 00:30:47,807
Joanna, your watch.
376
00:30:49,180 --> 00:30:50,977
Joanna, l love you.
377
00:31:08,199 --> 00:31:10,531
Come on, Maurice is waiting.
378
00:31:11,469 --> 00:31:12,663
Bitch.
379
00:31:14,239 --> 00:31:17,675
Listen, sweetheart.
We're not going to make it together. See?
380
00:31:17,809 --> 00:31:20,573
We don't get the breaks.
So this is the kiss off.
381
00:31:20,678 --> 00:31:23,146
You take the high road,
l'll take the low road.
382
00:31:23,214 --> 00:31:26,012
We'll see who gets in where
before who. Okay?
383
00:31:26,751 --> 00:31:30,710
lf we meet again, great.
lf not, happy holidays.
384
00:31:31,222 --> 00:31:33,315
No hard feelings, but....
385
00:31:33,391 --> 00:31:35,416
-You have a schedule.
-Right.
386
00:32:28,246 --> 00:32:31,238
What happened to your slick friend
in the Alfa Romeo?
387
00:32:31,316 --> 00:32:34,444
l told him l was in love with you,
so he put me down.
388
00:32:45,663 --> 00:32:48,564
-l warn you....
-Don't.
==========
389
00:33:07,452 --> 00:33:09,818
What would you say to a cup of coffee?
两人对着桌子 托着下巴 对看着对方
390
00:34:00,038 --> 00:34:03,804
What kind of people would sit like that
without a word to say to each other?
391
00:34:03,875 --> 00:34:05,433
Married people?
392
00:34:18,856 --> 00:34:21,484
This is definitely against my principles.
393
00:34:22,660 --> 00:34:26,152
Good. l wouldn't like to think
it happened all the time.
394
00:34:26,531 --> 00:34:30,831
l had absolutely no intention
of sleeping in hotels.
395
00:34:34,105 --> 00:34:35,538
You didn't?
396
00:34:36,407 --> 00:34:39,740
Hell, no. What do you think l brought
a sleeping sack for?
397
00:34:40,778 --> 00:34:43,110
l hadn't seriously thought about it.
398
00:34:53,024 --> 00:34:55,720
-Who are you?
-Some girl.
======Some girl.========hotel伏在男人身上的Some girl.
399
00:35:08,406 --> 00:35:09,839
Sleep well?
400
00:35:10,007 --> 00:35:13,170
l think that room was
over the plate-smashing annex.
401
00:35:13,744 --> 00:35:16,212
My days for roughing it are over.
402
00:35:16,414 --> 00:35:20,282
Next time, get Maurice to reserve us
a room if you can't remember yourself...
403
00:35:20,384 --> 00:35:24,878
preferably with a carpet, and
something else in the hot tap besides....
1
00:32:34,600 --> 00:32:38,366
什么样的人会那样对坐着
却一语不发？
2
00:32:38,437 --> 00:32:39,995
已婚的人？
1
00:32:52,418 --> 00:32:55,046
这有悖于我的原则。
2
00:32:56,222 --> 00:32:59,714
很好。我不会想让它随时都会发生在你身上。
3
00:33:00,093 --> 00:33:04,393
我一点都没想过会在
旅馆里和你睡在一起。
4
00:33:07,667 --> 00:33:09,100
你没想过？
5
00:33:09,969 --> 00:33:13,302
当然不。否则你以为我买了睡袋是用来干吗的？
6
00:33:14,340 --> 00:33:16,672
我并没有认真地去想过。
1
00:33:25,586 --> 00:33:28,282
你是谁？
某个女孩。
1
00:33:39,968 --> 00:33:41,401
睡得好吗？
2
00:33:41,569 --> 00:33:44,732
我觉得那个房间是建
在碎盘机上的。
3
00:33:45,306 --> 00:33:47,774
我将就着过日子的时光已经结束了。
4
00:33:47,976 --> 00:33:51,844
下一回，让莫里斯替我们预定
一个房间，如果你自己记不起来的话……
5
00:33:51,946 --> 00:33:56,440
最好是有地毯的房间，还有热水龙头里
出来的不会再是……
===========
498
00:44:50,387 --> 00:44:53,879
l don't want to come out after lunch
to a red-hot car again.
499
00:44:55,693 --> 00:44:58,423
What does ''Reserve a la direction'' mean?
500
00:44:58,762 --> 00:45:00,627
Reserved for the management.
501
00:45:00,731 --> 00:45:02,528
Hell, we're the customers.
502
00:45:06,904 --> 00:45:09,372
Why do you think Red China is a bitch?
1
00:43:03,255 --> 00:43:05,985
预先保留位是什么意思？
2
00:43:06,324 --> 00:43:08,189
是为了管理而预留的
3
00:43:08,293 --> 00:43:10,090
哦，我们是顾客。
4
00:43:14,466 --> 00:43:16,934
你为什么觉得红色中国很坏？
5
00:43:19,437 --> 00:43:21,803
我们不可以停在这里，霍尔。
6
00:43:22,173 --> 00:43:25,574
我的意思是红色中国是一个很复杂的问题。
==============
549
00:50:07,537 --> 00:50:11,200
You're the only woman l know who's
prepared to share a bed with a sardine.
550
00:50:11,308 --> 00:50:14,539
l don't care what kind of a sardine you are.
l like you.
551
00:50:16,613 --> 00:50:19,639
-Will you hate me when l'm bowfronted?
-Undoubtedly.
552
00:50:20,550 --> 00:50:22,814
-And will you be unfaithful to me?
-Blatantly.
553
00:50:24,054 --> 00:50:26,579
-You promised l could.
-You promised you wouldn't.
554
00:50:26,656 --> 00:50:28,214
When we got married.
555
00:50:30,627 --> 00:50:32,788
Do you mind undoing what you did?
556
00:50:41,538 --> 00:50:42,562
Thanks.
557
00:50:43,273 --> 00:50:44,501
You're welcome.
558
00:50:45,809 --> 00:50:47,834
Aren't you coming to bed at all?
559
00:50:48,845 --> 00:50:49,834
Tired?
560
00:50:53,683 --> 00:50:54,707
l won't be long.
561
00:50:54,818 --> 00:50:57,844
Shall l call your secretary
and make an appointment?
562
00:50:59,389 --> 00:51:01,914
When did you start being as snide as this?
563
00:51:04,661 --> 00:51:06,993
Right after we got married, didn't l?
564
00:51:07,898 --> 00:51:09,763
-Did we get married?
-Yeah.
565
00:51:11,101 --> 00:51:12,261
Remember?
566
00:51:12,803 --> 00:51:14,828
When sex stopped being fun.
567
00:51:15,505 --> 00:51:18,440
Yeah. lt started being official.
568
00:51:20,710 --> 00:51:22,041
l remember.
569
00:51:35,692 --> 00:51:39,128
l think that lovely little lake
breeds lovely little mosquitoes.
570
00:51:39,196 --> 00:51:42,063
-l'll close the window.
-We'll suffocate.
1
00:48:02,819 --> 00:48:06,482
你是唯一一个我认识的会和一条沙丁鱼
共享一张床的女人。
2
00:48:06,590 --> 00:48:09,821
我不在意你是哪种沙丁鱼。
我喜欢你。
3
00:48:11,895 --> 00:48:14,921
当我背都驼了的时候你会讨厌我吗？
当然不会。
4
00:48:15,832 --> 00:48:18,096
你会对我不忠吗？
明显的。
1
00:48:18,336 --> 00:48:20,861
你说我允许我的。
你说过你不会的。
2
00:48:20,938 --> 00:48:22,496
在我们刚结婚的时候。
3
00:48:24,909 --> 00:48:27,070
你能放下你在做的事情一会吗？
1
00:48:34,820 --> 00:48:35,844
谢谢。
2
00:48:36,555 --> 00:48:37,783
不用谢。
3
00:48:39,091 --> 00:48:41,116
你不睡了吗？
4
00:48:42,127 --> 00:48:43,116
你很累了？
5
00:48:46,965 --> 00:48:47,989
我一会儿就来。
6
00:48:48,100 --> 00:48:51,126
我能打电话给你的秘书来预约吗？
7
00:48:52,671 --> 00:48:55,196
你什么时候变得如此会讥讽了？
1
00:48:57,400 --> 00:48:59,732
就在我们结婚了以后，不是吗？
2
00:49:00,637 --> 00:49:02,502
我们结婚了吗？
是的。
3
00:49:03,840 --> 00:49:05,000
记得吗？
4
00:49:05,542 --> 00:49:07,567
当性不再变得有趣。
5
00:49:08,244 --> 00:49:11,179
是啊，开始变成例行公事了。
6
00:49:13,449 --> 00:49:14,780
我记得。
1
00:49:27,431 --> 00:49:30,867
我想那美丽的小湖是很多可爱的
小蚊子的家园。
5 ) 赫本的另一面
有一阵子把赫本的每部电影一一看过去。多数时候只看她、她的服装以及妆容 O(∩_∩)O~
但是这部《丽人行》，竟然剧情也看进去了。
电影通过迂回展现男女主角共同的几段旅行经历，来记录两个人从相爱、婚姻——婚外情——争吵——冷漠——最后和好的感情历程。
赫本的演技在这里面有很好的体现。她的表演不同于其他几部风格时尚、剧情平庸的电影，通过《丽人行》可以看到她的另一面吧。
女主角在年轻时对爱情的执着，可以盖过生活的艰辛；中年时对爱的倦怠、怀疑，婚姻的七年之痒。什么都敌不过时间，有什么可以永远呢？
电影告诉我的是：因为曾经爱过、拥有过快乐，所以可以原谅、包容，继续共同生活。
但是这部《丽人行》，竟然剧情也看进去了。
电影通过迂回展现男女主角共同的几段旅行经历，来记录两个人从相爱、婚姻——婚外情——争吵——冷漠——最后和好的感情历程。
赫本的演技在这里面有很好的体现。她的表演不同于其他几部风格时尚、剧情平庸的电影，通过《丽人行》可以看到她的另一面吧。
女主角在年轻时对爱情的执着，可以盖过生活的艰辛；中年时对爱的倦怠、怀疑，婚姻的七年之痒。什么都敌不过时间，有什么可以永远呢？
电影告诉我的是：因为曾经爱过、拥有过快乐，所以可以原谅、包容，继续共同生活。
6 ) 婚姻之路
这样的一部电影在赫本繁星闪烁的电影里算不起眼，但却是看过就不能忘怀的好，尤其推荐将来准备结婚的同志们，婚姻是条漫长路途，需要两个人同心上路，Two for the Road 说的是一对夫妇不同时期的上路经历，年少的ROAD TRIP一见钟情却是从斗嘴开始，新婚的贫穷也掩盖不了的欢乐，初有儿女的忙乱尴尬，中年忙碌的冷漠出轨的无奈，全都在编剧精妙得让人透不过气的对白中尽显。喜欢学英语的人可以看来做练习最好不过。
例如：什么样的人在餐馆里都不互相说话？
已婚夫妇。
例如：不要走，我们结婚吧。
好的。
你会后悔的。
永远永远永远不。
越是聪明越是不能放下架子，有时过多的冷幽默只是彼此伤害，但是好在他们每次都还是在正确时间的最后一秒说了：我爱你，挽救婚姻与水火。他泡过路遇的金发美女，她和别的男人有过一夜情，谁都不完美，但是却又都从最开始就那么确定地爱着对方，尤其是赫本饰演的乔安娜，率真热情地爱着他，虽然在斗嘴中从来也不认输，挖苦这个暴躁的男人，却还是在每次都帮他把护照保管好——这个小小的细节，就是爱情。而他，尽管总是在争吵的可能转折点TAKE THE WRONG TURN，却依然有足够的理
智把结果掉转，虽然是利用最简单的性来化解，也不失为一种方法。那些当赫本是公主的FANS们看到这片子估计要晕菜了，里面就是一个欲求不满的小女人，真实的一塌糊涂，因为那个1967，她也经历着自己一段长长婚姻的挣扎时刻，并最终还是离婚告终。谁说戏不是人生呢，只是，大多数时候，没有人生那么残酷。所以最后还是HAPPY ENDING，即便是一段路上的一个小小休息站，前路漫长还是要有个人做伴。
音乐是那个写MOON RIVER的我叫不出名字的作曲家，张雷同学介绍过他的故事，现在看来他写的音乐就是给电影做原声最合适的，从电影一开始就让人不觉沉浸在年华似水的感受中，淡淡的怀旧和感伤，电影里是年轻的他和她，不管好坏都是回不去的青春，让人只能怅然。电影外面，1957年的赫本出演FUNNY FACE，演绎小女生的童话爱情，那里只有HAPPY EVER AFTER；1967年的赫本是最时尚也最怀旧的DESPERATE HOUSEWIFE，戏里戏外都是婚姻的难题，而天使最后也没有在人世盼到一段完整的爱情，80年代，她的第2次婚姻又以离婚告终。相爱简单，相处太难。
另外，扯点关于时尚的事情，果然是风水轮流，白框大墨镜，短发和黑色粗眼线，甚至一身漆皮装，是不是听上去在今天也是一样的流行。最令人愕然的是最后一场景里赫本一身银色亮片的PARTY连身裙ONE PIECE的风格简直就是2007年最热的D&G的金色亮片裙的本家。让人感叹之余想说怎么没人研究这个时尚的长期周期波动捏，40年是不就是一个轮回呢？
例如：什么样的人在餐馆里都不互相说话？
已婚夫妇。
例如：不要走，我们结婚吧。
好的。
你会后悔的。
永远永远永远不。
越是聪明越是不能放下架子，有时过多的冷幽默只是彼此伤害，但是好在他们每次都还是在正确时间的最后一秒说了：我爱你，挽救婚姻与水火。他泡过路遇的金发美女，她和别的男人有过一夜情，谁都不完美，但是却又都从最开始就那么确定地爱着对方，尤其是赫本饰演的乔安娜，率真热情地爱着他，虽然在斗嘴中从来也不认输，挖苦这个暴躁的男人，却还是在每次都帮他把护照保管好——这个小小的细节，就是爱情。而他，尽管总是在争吵的可能转折点TAKE THE WRONG TURN，却依然有足够的理
智把结果掉转，虽然是利用最简单的性来化解，也不失为一种方法。那些当赫本是公主的FANS们看到这片子估计要晕菜了，里面就是一个欲求不满的小女人，真实的一塌糊涂，因为那个1967，她也经历着自己一段长长婚姻的挣扎时刻，并最终还是离婚告终。谁说戏不是人生呢，只是，大多数时候，没有人生那么残酷。所以最后还是HAPPY ENDING，即便是一段路上的一个小小休息站，前路漫长还是要有个人做伴。
音乐是那个写MOON RIVER的我叫不出名字的作曲家，张雷同学介绍过他的故事，现在看来他写的音乐就是给电影做原声最合适的，从电影一开始就让人不觉沉浸在年华似水的感受中，淡淡的怀旧和感伤，电影里是年轻的他和她，不管好坏都是回不去的青春，让人只能怅然。电影外面，1957年的赫本出演FUNNY FACE，演绎小女生的童话爱情，那里只有HAPPY EVER AFTER；1967年的赫本是最时尚也最怀旧的DESPERATE HOUSEWIFE，戏里戏外都是婚姻的难题，而天使最后也没有在人世盼到一段完整的爱情，80年代，她的第2次婚姻又以离婚告终。相爱简单，相处太难。
另外，扯点关于时尚的事情，果然是风水轮流，白框大墨镜，短发和黑色粗眼线，甚至一身漆皮装，是不是听上去在今天也是一样的流行。最令人愕然的是最后一场景里赫本一身银色亮片的PARTY连身裙ONE PIECE的风格简直就是2007年最热的D&G的金色亮片裙的本家。让人感叹之余想说怎么没人研究这个时尚的长期周期波动捏，40年是不就是一个轮回呢？
这是我看过的赫本最棒的电影。在爱情里挣扎的两个人的十二年犹如几段旅行，一段张扬快乐、一段诉说悲伤、一段控诉无奈、一段陷入痛苦。车换了一辆又一辆、路过了一站又一站，还是那个人却不一定仍是那份情。最后剩下的是一长段回忆和一汪深情。“我爱你！”“那就好！”其实你在身边就好。
由斯坦利·多南执导，奥黛丽·赫本、阿尔伯特·芬尼携手主演的爱情喜剧电影《丽人行》，以大量意识流优美的倒叙镜头，勾勒出了两人十二年的情感历程。本片荣获1968年第40届奥斯卡金像奖最佳原创剧本提名、音乐喜剧类最佳女主角提名以及1968年第25届金球奖最佳电影配乐提名
多南《狂人皮埃罗》附体，两位主角则乘坐飞车经历了多重的虫洞穿越，我们无需弄明白这些旅行具体发生的时间顺序，但电影无疑在这多重的穿越中为观众展现了一场更“永恒”的旅行：婚姻中无尽的循环，快乐、忧愁与折磨穿插反复着。随着主角在最后的大全景中跨境进入了我们看不到的新旅程，或许电影早已经重新开始。
初看婚前婚后转场对比还真是有意思，想着后面会不会有什么惊喜，结果整个看下来也就是这个样子，还不好笑~
婚姻是爱情的坟墓，激情消退如何重新找回遗失的爱，多南擅长的爱情喜剧，别开生面地将几次旅行交叉剪辑，公路电影的创意十足，特别是频频出现的同意象转场，时间变换，空间里更留下无限的唏嘘感慨，台词也有不少金句，两位主要也挺有趣，带给观众愉悦的享受。
8.0/10。①一对中产阶级夫妻十几年走来充满相恋、出轨与复合的婚姻故事。公路片。②精美的高水平摄影美术。③作为传统故事片，打乱时间线的叙事结构（存在相似性转场）虽然增强了叙事的戏剧性张力，但最终叙事依然较淡，而且这种叙事结构有些增大了对剧情理解难度，扣1分。
恐婚片，像《夜》，一样是爱情死亡后徒留婚姻的困境，但与那不同的是这部里还有大量的甜蜜温馨的片段，还有那些争吵、摩擦、婚外情……看完倒没称赞它的叙事或者剪辑手法，因为片段性的插叙的叙事手法在这里显得平实，像一个老派导演所做的新潮尝试，而是最后那段，将爱情里的节点通过自驾行一段段路程拼凑起来，概括了这一段感情如何由生到死，尽皆在此，不由想到《千年女优》，不由想到《爱乐之城》。ps，AH在这里面显老了，时髦还是很时髦的。
正是在路上看的，高呼三声好看！热恋、新婚、十年后三条主时间线，穿插得轻快自然。婚姻的永恒Paradox也被说尽。
感慨颇多，这种公路片的拍摄手法和立意都很好，而一对男女从相遇热恋到婚姻危机的人生轨迹也反映出了大部分人的人生。当我们年轻的时候，钱包空空也满怀激情地出门穷游，而等有一天我们变成了富裕的中年人，希望还能像今天这样对生活充满热爱和深爱对方。
简直就是60-67时装史。Mod风尚其实并不适合赫本，Albert Finney表演风格还是那么硬。
太过真实。“什么人会对坐着不发一言？已婚的人。”从相遇相识，相知相恋，到相守相倦，相对无言，过去种种是浪漫，现在一切只残酷。
为了几段回忆揉在一起的形式，为了赫本的好看，给三星吧。恋爱故事中有感人的地方，可总体感觉不疼不痒ni chaud ni froid…美国的爱情电影真心跟法国意大利的不一样，挺不习惯的。看到赫本闹脾气从海边起跑跑出百米开外时听到男主情急之下高喊你别跑啊你回来我就娶你她瞬间就转头回到男主身边两人就此结婚了的那段还是被culture shock到了：这已经是60年代末了啊，美国电影为啥还在讲这种童话故事…可能他们的出发点到底是相信婚姻的，然后经历了很多事，才渐渐开始总结开始感叹开始超越这个制度，但在我们这的电影里这个出发点很早就不复存在了。导演故意给赫本安排了几件颜色特别亮搭配特别丑的衣服，一出场就把观众逗笑了；他们和另外一家三口游Chantilly的那段真的就是法意常见的傻X美国游客典型…🤣
没想到这居然是一部公路片。本片最大的特色是娴熟地运用了交叉剪辑，把男女主人公从巧遇到相恋到十年后的婚姻危机整个历程勾勒得清清楚楚。看完全片你会发现，他俩真是太适合了，简直就是天造地设的一对啊。中年的赫本演技真好。本片的第二特色是运用女性视角叙述故事，所以观众看到的结果就是，这场爱情出现危机，完全是男人的问题。他自私、幼稚、忙于工作不顾妻儿，并且确实如那个刻板的教授所言有极强的控制欲。结局的和好，稍微有点莫名其妙。台词特别优秀，很多对话宛如诗歌，优美文雅，针锋相对，既推动情节又刻画人物，真是厉害。7分。
婚姻就是：一个女人让一个男人脱掉他的睡衣。。。因为她要把它送去洗衣房。。。
两人世界，此一时，彼一时。太透彻，不用多言语；太聪明，亦不免耽于春日晚风。漫漫一途，有我，有你。吉光片羽，剪辑未满。台词精华，可切割赏析。
真正的公路电影，每一段戏都发生在路上。从相恋、与前女友一家出行、婚后出游到各自出轨再到复合，公路上写满了一对中产阶级夫妇的激情、倦怠和伤痕。剪辑出彩，每次转场都颇费心思，也是最值得看的错觉创意段落。赫本的各种摹仿秀精灵古怪，可惜38岁已显老态。
本片充分体现了赫本平庸的演技
新浪潮版多南啊，不断跳切剪辑一对夫妻不同时空的状态，信息量非常大。那两个为任何愚蠢的理由疯狂大笑的年轻男女去哪儿了？他们曾经无时无刻不感觉到饿，感觉到欲望，就像车上的小女孩一样任性，直到他们自己成了父亲和母亲，突然间，随性而至不再是件快乐的事，太多责任，太多隔阂，太少荷尔蒙，不再在大路上搭便车，不再睡便宜的小旅馆，也没了胃口，没了做爱和爱人的欲望。题材是老的，但是总有新的故事和桥段，比如晒伤后全身疼痛也要拥抱的一幕就很美。
里面的转场太频繁、太自以为是以至于有点过了，反而影响了观众对于剧情和两人感情对比的理解。可惜了。。。
4 outta 4. Great Movie. 人物魅力、电影技术、剧本写作、摄影打光、配乐协调全都满分。我不知道是否应该把这部电影归类到chick flick里，因为它实际上更像一部雅克德米和Agnes合作风格下的那类型新浪潮气质描述婚姻和生活本质的电影。辛亏导演选择了倒叙和乱序的手法拍这部电影，如果按照正序来拍的话该多么无聊啊。我无法用一句话来总结我对这部电影的感受，我只能说爱情可能就是这么简单又复杂，但我感谢导演把我心目中爱情最应该的模样展现出来。