早餐俱乐部

"...And these children
that you spit on
as they try to change their worlds
are immune to your consultations.
They're quite aware
of what they're going through..."
David Bowie

Bender: Don't you want to hear my excuse?
Richard Vernon: Out.
Bender: I'm thinkin' of tryin' out for a scholarship.
Richard Vernon: You're not fooling anyone Bender. The next screw that falls out will be you.
Bender: Eat my shorts.
Richard Vernon: What was that?
Bender: Eat... My... Shorts.
Richard Vernon: You just bought yourself another Saturday.
Bender: Ooh I'm crushed.
Richard Vernon: You just bought one more.
Bender: Well I'm free the Saturday after that. Beyond that, I'm going to have to check my calendar.
Richard Vernon: Good, cause it's going to be filled. We'll keep going. You want another one? Just say the word say it. Instead of going to prison you'll come here. Are you through?
Bender: No.
Andrew: You ask me one more question and I'm beating the shit out of you.
Richard Vernon: That's the last time, Bender. That the last time you ever make me look bad in front of those kids, you hear me? I make $31,000 a year and I have a home and I'm not about to throw it all away on some punk like you. But someday when you're outta here and you've forgotten all about this place and they've forgotten all about you, and you're wrapped up in your own pathetic life, I'm gonna be there. That's right. And I'm gonna kick the living shit out of you. I'm gonna knock your dick in the dirt.
Bender: You threatening me?
Richard Vernon: What are you gonna do about it? You think anyone's gonna believe you? You think anyone is gonna take your word over mine? I'm a man of respect around here. They love me around here. I'm a swell guy. You're a lying sack of shit and everybody knows it. Oh, you're a tough guy. Hey c'mon. Get on your feet pal. Let's find out how tough you are. I wanna know right now how tough you are.
[offers Bender his chin]
Richard Vernon: Just take the first shot. I'm begging you, take a shot. Just one hit. Come on, that's all I need, just one swing...
[Bender pauses, staring]
Richard Vernon: That's what I thought. You're a gutless turd.
Andrew: Why do you have to insult everybody?
John Bender: I'm being honest, asshole. I would expect you to know the difference.
Claire Standish: [about her parents] I don't think either one of them gives a shit about me. It's like they use me just to get back at each other.
Allison Reynolds: [her first word of dialogue so far] Ha!
Claire Standish: [long pause] Shut up!
Claire Standish: Do you know how popular I am? I am so popular. Everybody loves me so much at this school.
Bender: Poor baby.
Bender: [after Claire kisses his neck] Why'd you do that?
Claire Standish: 'Cause I knew you wouldn't.
Claire Standish: [pause] Were you truly disgusted with what I did with my lipstick?
Bender: The truth?
Claire Standish: Yeah.
Bender: [nods] No.
Bender: Remember how you said your parents use you to get back at each other?
Claire Standish: [nods]
Bender: Wouldn't I be OUTSTANDING in that capacity?
Andrew: We're all pretty bizarre. Some of us are just better at hiding it, that's all.
Andrew Clark: What do they do to you?
Allison Reynolds: They ignore me.
Andrew Clark: Yeah... yeah.
Claire Standish: You know why guys like you knock everything?
John Bender: Oh, this should be stunning.
Claire Standish: It's because you're afraid.
John Bender: Oh God, you richies are so smart, that's exactly why I'm not heavy into activities.
Claire Standish: You're a big coward.
Brian Johnson: I'm in the math club.
Claire Standish: See, you're afraid that they won't take you, you don't belong, so you have to just dump all over it.
John Bender: Well, it wouldn't have anything to do with you activities people being assholes, now would it?
Claire Standish: Well, you wouldn't know, you don't even know any of us.
John Bender: Well, I don't know any lepers, but I'm not going to run out and join one of their fucking clubs.
Andrew Clark: Hey. Let's watch the mouth, huh?
Brian Johnson: I'm in the physics club too.
John Bender: Excuse me a sec. What are you babbling about?
Brian Johnson: Well, what I had said was I'm in the math club, uh, the latin, and the physics club... physics club.
John Bender: Hey, Cherry. Do you belong to the physics club?
Claire Standish: That's an academic club.
John Bender: So?
Claire Standish: So academic clubs aren't the same as other kinds of clubs.
John Bender: Ah... but to dorks like him, they are. What do you guys do in your club?
Brian Johnson: Well, in physics we... we talk about physics, properties of physics.
John Bender: So it's sorta social, demented and sad, but social. Right?
Allison Reynolds: You have problems.
Andrew Clark: Oh, I have problems?
Allison Reynolds: You do everything everyone tells you to do and that is a problem.
Andrew Clark: Okay, fine, but I didn't dump my purse out on the couch and invite everyone into my problems.
Brian Johnson: Dear Mr. Vernon, we accept the fact that we had to sacrifice a whole Saturday in detention for whatever it was we did wrong. But we think you're crazy to make an essay telling you who we think we are. You see us as you want to see us... In the simplest terms, in the most convenient definitions. But what we found out is that each one of us is a brain...
Andrew Clark: ...and an athlete...
Allison Reynolds: ...and a basket case...
Claire Standish: ...a princess...
John Bender: ...and a criminal...
Brian Johnson: Does that answer your question?... Sincerely yours, the Breakfast Club.
Bender: [as Mr. Vernon leaves the library] That man... is a brownie hound.
Richard Vernon: Why is that door closed? WHY IS THAT DOOR CLOSED?
Andrew: Speak for yourself.
Bender: Do you think I'd speak for you? I don't even know your language.
[to himself, crawling above some acoustic ceiling tiles]
Bender: Naked blonde walks into a bar with a poodle under one arm, and a two-foot salami under the other. The bartender says, I guess you won't be needing a drink. Naked lady says...
[the ceiling gives way]
Bender: Oh, *shit*.
Bender: You know how you said before, how your parents use you to get back at each other? Wouldn't I be outstanding in that capacity?
John Bender: Screws fall out all the time, the world is an imperfect place.
[Claire is doing Allison's make-up]
Claire: You know, you look a lot better without all that black shit under your eyes.
Allison Reynolds: Hey, I like all that black shit... Why are you being so nice to me?
Claire: Because you're letting me.
Allison Reynolds: Your middle name is Ralph, as in puke, your birth date's March 12th, you're 5'9 and a half, you weigh 130 pounds and your social security number is 049380913.
Andrew Clark: Wow. Are you psychic?
Allison Reynolds: No.
Brian Johnson: Well, would you mind telling me how you know all this about me?
Allison Reynolds: I stole your wallet.
Claire Standish: He's just doing it to get a rise out of you. Just ignore him.
John Bender: Sweets. You couldn't ignore me if you tried. So... so. Are you guys like boyfriend-girlfriend? Steady dates? Lovers? Come on, sporto, level with me. Do you slip her the hot beef injection?
Claire Standish: Go to HELL.
Andrew: Enough.
Richard Vernon: Hey. What's goin in there? Damn pricks.
John Bender: So... So, are you guys boyfriend/girlfriend? Steady Dates? Lov-ers? Come on, Sporto, level with me. Do you slip her the hot beef injection?
Claire Standish: GO TO HELL.
Andrew Clark: ENOUGH.
Richard Vernon: Hey. What's going on in there?
[whispering]
Richard Vernon: Damn pricks.
Andrew Clark: If I lose my temper you're totaled, man.
John Bender: Totally?
Andrew Clark: Totally.
Claire Standish: I hate it. I hate having to go along with everything my friends say.
John Bender: Does Barry Manilow know that you raid his wardrobe?
Richard Vernon: Well, well. Here we are. You have exactly eight hours and fifty-four minutes to think about why you're here. You may not talk, you will not move from these seats. Any questions?
John Bender: Yeah. Does Barry Manilow know that you raid his wardrobe?
Richard Vernon: [Andrew laughs at Bender's backtalk] You think he's funny? You think this is cute? You think he's "bitchin," is that it? Let me tell you something. Look at him - he's a bum. You want to see something funny? You go visit John Bender in five years. You'll see how goddamned funny he is.
John Bender: Don't you ever talk about my friends. You don't know any of my friends. You don't look at any of my friends. And you certainly wouldn't condescend to speak to any of my friends. So you just stick to the things you know: shopping, nail polish, your father's BMW, and your poor, rich drunk mother in the Caribbean.
Claire Standish: SHUT UP.
John Bender: And as far as being concerned about what's gonna happen when you and I walk down the hallways of school together, you can forget it cuz it's never gonna happen. Just bury your head in the sand and wait for your fucking prom.
Allison Reynolds: I don't have to runaway and live in the street. I can runaway and I can go to the ocean, I can go to the country, I can go to the mountains. I could go to Israel, Africa, Afghanistan.
Brian Johnson: I'm a fucking idiot because I can't make a lamp?
John Bender: No. You're a genius because you can't make a lamp.
Allison Reynolds: I'll do anything sexual. I don't need a million dollars to do it either.
Claire Standish: You're lying.
Allison Reynolds: I already have. I've done just about everything there is except a few things that are illegal. I'm a nymphomaniac.
Claire Standish: Lie.
Brian Johnson: Are your parents aware of this?
Allison Reynolds: The only person I told was my shrink.
Andrew Clark: And what did he do when you told him?
Allison Reynolds: He nailed me.
Claire Standish: Very nice.
Allison Reynolds: I don't think that from a legal standpoint what he did can be construed as rape, since I paid him.
Claire Standish: He's an adult.
Allison Reynolds: Yeah, he's married too.
Claire Standish: Do you have any idea how completely gross that is?
Allison Reynolds: Well, the first few times...
Claire Standish: The first few times? You mean you did it more than once?
Allison Reynolds: Sure.
Claire Standish: Are you crazy?
Brian Johnson: Obviously she's crazy if she's screwing a shrink.
Allison Reynolds: Have you ever done it?
Claire Standish: I don't even have a psychiatrist.
Allison Reynolds: Have you ever done it with a normal person?
Claire Standish: Didn't we already cover this?
John Bender: You never answered the question.
Claire Standish: Look, I'm not going to discuss my private life with total strangers.
Allison Reynolds: It's kind of a double edged sword isn't it?
Claire Standish: A what?
Allison Reynolds: Well, if you say you haven't, you're a prude. If you say you have you're a slut. It's a trap. You want to but you can't, and when you do you wish you didn't, right?
Claire Standish: Wrong.
Allison Reynolds: Or are you a tease?
Andrew Clark: She's a tease.
Claire Standish: I'm sure. Why don't you just forget it.
Andrew Clark: Oh, you're a tease and you know it. All girls are teases.
John Bender: She's only a tease if what she does gets you hot.
Claire Standish: I don't do anything.
Allison Reynolds: That's why you're a tease.
Claire Standish: OK, let me ask you a few questions.
Allison Reynolds: I already told you everything.
Claire Standish: No. Doesn't it bother you to sleep around without being in love. I mean, don't you want any respect?
Allison Reynolds: I don't screw to get respect. That's the difference between you and me.
Claire Standish: It's not the only difference I hope.
John Bender: Face it, you're a tease.
Claire Standish: I'm NOT a tease.
John Bender: Sure you are. Sex is your weapon. You said it yourself. You use it to get respect.
Claire Standish: No, I never said that she twisted my words around.
John Bender: What do you use it for then?
Claire Standish: I don't use it period.
John Bender: Oh, are you medically frigid or is it psychological?
Claire Standish: I didn't mean it that way. You guys are putting words into my mouth.
John Bender: Well, if you'd just answer the question.
Brian Johnson: Why don't you just answer the question?
Andrew Clark: Be honest.
John Bender: No big deal.
Brian Johnson: Yeah answer it.
Andrew Clark: Answer the question, Claire.
John Bender: Talk to us. Every one: C'mon, answer the question. Come on. Answer it.
John Bender: C'mon, it's easy. It's only one question.
Claire Standish: NO I NEVER DID IT.
Allison Reynolds: I never did it either. I'm not a nymphomaniac. I'm a compulsive liar.
Allison Reynolds: [after Andrew says he would drive to school naked for one million dollars] I'd do that. I'll do anything sexual, and I don't need a million dollars to do it either. I'm a nymphomaniac.
Andrew: [after Claire has given Allison a makeover] What happened to you?
Allison Reynolds: Why? Claire did it... What's wrong?
Andrew: Nothing's wrong... it's just so different, you know? I can see your face.
Allison Reynolds: Is that good or bad?
Andrew: It's good.
John Bender: Being bad feels pretty good, huh?
John: Hey, how come Andrew gets to get up? If he gets up, we'll all get up, it'll be anarchy.
Brian Johnson: Chicks cannot hold their smoke, dat's what it is.
John: I just wanna know how one becomes a janitor because Andrew here is very interested in pursuing a career in the custodial arts.
John Bender: Well, Brian, this is a very nutritious lunch. All the food groups are represented. Did your mom marry Mr. Rogers?
Brian Johnson: Uh, no. Mr. Johnson.
Andrew Clark: You don't have any goals.
John Bender: Oh but I do.
Andrew Clark: Yeah?
John Bender: I wanna be just like you. I figure all I need, is a lobotomy and some tights.
Brian Johnson: You wear tights?
Andrew Clark: No I don't wear tights. I wear the required uniform.
Brian Johnson: Tights.
Andrew Clark: Shut up.
John Bender: Sporto.
Andrew Clark: What?
John Bender: You get along with your parents?
Andrew Clark: Well, if I say yes I'm an idiot, right?
John Bender: You're an idiot anyway. But if you say you get along with your parents, well, you're a liar too.
Richard Vernon: Don't mess with the bull, young man. You'll get the horns.
Richard Vernon: What if your home... what if your family... what if your *dope* was on fire?
John Bender: Impossible, sir. It's in Johnson's underwear.
Bender: [after putting his head between Claire's legs under the table] It was an accident.
Claire Standish: You're an asshole.
Bender: Sue me.
John Bender: What's in there?
Claire Standish: Guess? Where's your lunch?
John Bender: You're wearing it.
Claire Standish: You're nauseating.
John Bender: [pointing to Claire's lunch] What's that?
Claire Standish: Sushi.
John Bender: Sushi?
Claire Standish: Rice, raw fish, and seaweed.
John Bender: You won't accept a guy's tongue in your mouth, and you're going to eat that?
Claire Standish: Can I eat?
John Bender: I don't know. Give it a try.
John Bender: But face it. You're a neo maxi zoom dweebie, what would you be doing if you weren't out making yourself a better citizen?
Andrew: What do you need a fake I.D. for?
Brian: So I can vote.
John Bender: Uh, Dick? Excuse me; Rich. Will milk be made available to us?
Andrew Clark: We're extremely thirsty, sir.
Claire Standish: I have a really low tolerance for dehydration.
Andrew Clark: I've seen her dehydrate, sir. It's pretty gross.
Allison Reynolds: When you grow up, your heart dies.
John: So, who cares?
Allison Reynolds: I care.
Richard Vernon: You think about this: when you get old, these kids - when *I* get old - they're going to be running the country.
Carl: Yeah.
Richard Vernon: Now this is the thought that wakes me up in the middle of the night. That when I get older, these kids are going to take care of me.
Carl: I wouldn't count on it.
Claire Standish: What's your name?
John Bender: What's yours?
Claire Standish: Claire.
John Bender: Claire?
Claire Standish: Claire. It's a family name.
John Bender: Oh, it's a fat girl's name.
Claire Standish: Oh, thank you.
John Bender: You're welcome.
Claire Standish: I'm not fat.
John Bender: Well not at present, but I can see you really pushing maximum density. See I'm not sure if you know this, but there are two kinds of fat people: there's fat people that were born to be fat, and there's fat people that were once thin but became fat... so when you look at 'em you can sorta see that thin person inside. You see, you're gonna get married, you're gonna squeeze out a few puppies and then, uh...
[John Bender is absently tearing up books]
Andrew Clark: That's real intelligent.
John Bender: You're right. It's wrong to destroy literature. It's such fun to read. And
[examines title]
John Bender: Moe-Lay really pumps my nads.
Claire Standish: Moliere.
John Bender: Stupid, worthless, no good, goddamn, freeloading son of a bitch. Retarded, big mouth, know-it-all, asshole, jerk. You forgot ugly, lazy and disrespectful. Shut up bitch. Go fix me a turkey pot pie. No dad, what about you? Fuck you. No dad, what about you? Fuck you. Dad, what about you? Fuck you.
Brian Johnson: Is that for real?
John Bender: You wanna come over sometime?
John Bender: [Vernon has just left the library after giving John two months of detention and insulting him in the process] FUCK YOU!
John Bender: I like those earings, Claire.
Claire Standish: Shut up.
John Bender: Are those real diamonds, Claire?
Claire Standish: Shut up.
John Bender: I bet they are. Did you work for the money to buy those earings?
Claire Standish: Shut your mouth.
John Bender: Or did your Daddy buy those for you?
Claire Standish: [shouts] Shut up!
John Bender: I'll bet he bought those for you. I bet those were a Christmas gift. You know what I got for Christmas? Oh, it was a banner fucking year at the old Bender family. I got a carton of cigarettes. The old man grabbed me and said, "Hey, smoke up Johnny." Alright? So go home and cry to your Daddy. Don't cry here, okay?
John Bender: [to Vernon] Keep your fuckin' hands off me! I'd expect better manners from you, Dick.
Richard Vernon: What was that ruckus?
Andrew Clark: Uh, what ruckus?
Richard Vernon: I was just in my office and I heard a ruckus.
Brian Johnson: Could you describe the ruckus, sir?
Andrew: Yo wastoid, you're not gonna blaze up in here.
[as Bender prepares to urinate under his desk]
Andrew Clark: Hey, you're not urinating in here, man.
John Bender: Don't talk. Don't talk. It makes it crawl back up.
John Bender: YOU ARE A BITCH.
Claire Standish: Why? 'Cause I'm telling the truth, that makes me a bitch?
John Bender: NO. 'Cause you know how shitty that is to do someone, and you don't got the balls to stand up to your friends and tell them you're gonna like who you wanna like.
John Bender: Hey, homeboy, what do you say we close that door, we'll get the prom queen impregnated.
John Bender: You know what I got for Christmas this year? It was a banner fuckin' year at the old Bender family. I got a carton of cigarettes. The old man grabbed me and said "Hey. Smoke up Johnny."
Brian's mom: Now is this the first time or the last time you do this to me?
Brian Johnson: Last.
Brian's mom: Now get in there and use the time to your advantage.
Brian Johnson: Mom, we're not supposed to study, we just have to sit there and do nothing.
Brian's mom: Well mister, you figure out a way to study.
Brian's sister: Yeah.
Bender: [running through the halls singing] I wanna be an airborne ranger / I wanna lead a life of danger / Before the day I die / There's five things I wanna ride / Bicycle, tricycle, automobile / Vernon's mother and a ferris wheel...
[Richard Vernon places magazine rack in front of door to hold it open]
John Bender: That's very clever, sir. But what if there's a fire? I think violating fire codes and endangering the lives of children would be unwise at this juncture in your career, sir.
Principal Richard Vernon: The next time I have to come in here I'm crackin' skulls.
Claire Standish: Why didn't you want me to know that you are a virgin?
Brian Johnson: Because it's my business - my personal business.
John Bender: Well, Brian, it doesn't sound like you're doing any business.
John Bender: My impression of life at Big Bri's house, "Son?" "Yeah, Dad?" "How was your day, son?" "Great, Dad. How's yours?" "Super. Say, how would like to go fishing this weekend?" "Great, Dad. But I got homework to do." "That's okay, son. You can do it on the boat." "Gee." "Hon, isn't our son swell?" "Yes, dear. Isn't life swell?"
[kiss]
John Bender: [after Claire flips him off] Oh, obscene finger gestures from such a pristine girl.
Richard Vernon: What did you wanna be when you were young?
Carl: When I was a kid, I wanted to be John Lennon.
Richard Vernon: Carl, don't be a goof. I'm making a serious point here.
Bender: Claire, you wanna see a picture of a guy with elephantitis of the nuts? It's pretty tasty.
Claire: No thank you.
Bender: How does he ride a bike?
Bender: Oh Claire, would you ever consider dating a guy who looked like this?
Claire: Can't you just leave me alone?
Bender: I mean even if he had a nice personality and a cool car... although you'd probably have to ride in the backseat because his nuts would ride shotgun
Andrew: I said, leave her alone.
Bender: You gonna make me?
Andrew: Yeah.
Bender: You and how many of your friends?
Andrew: Just me. Just you and me. Two hits. Me hitting you. You hitting the floor. Anytime you're ready, pal.
Bender: [running through the halls singing] I wanna be an airborne ranger / I wanna lead a life of danger / Before the day I die / There's five things I wanna ride / Bicycle, tricycle, automobile / Virgin's mother and a ferris wheel...
Richard Vernon: You ought to spend a little more time trying to make something of yourself and a little less time trying to impress people.
Bender: You're kind of sexy when you're angry.
Andrew Clark: So... what's your poison?
[no answer]
Andrew Clark: ... Ok, forget I asked.
[first lines]
Allison Reynolds: Vodka.
Andrew Clark: Oh yeah? How much vodka do you drink?
Allison Reynolds: Tons.
John Bender: [after Claire performs her lipstick trick]
[Claps sarcastically]
John Bender: Wow, Claire. That was great. My image of you is totally blown.
Allison Reynolds: You're a shit. Don't do that to her, you swore to God you wouldn't laugh.
John Bender: Am I laughing?
Andrew Clark: [shouts angrily] You fuckin' prick!
John Bender: What do you care what I think anyway? I don't even count... Right? I could disappear forever and it wouldn't make any difference. I might as well not even exist at this school, remember?
[Turns to Claire]
John Bender: And you... don't like me anyway.
Bender: You load up, you party.
Brian Johnson: Uhh, no, actually, we dress up.
Carl: I am the eyes and ears of this institution, my friends!

《早餐俱乐部》~•个人影评•~
1985的一部老电影，偶然间在《环球荧幕》上看到了，便一发不可收拾的爱上了。值得一提的是这是青春类影片的始祖（而且《朱诺》的导演是在看了《早餐俱乐部》才萌生了拍《朱诺》的想法）。但这并不是一般意义上的青春类电影，它其实并不“单细胞”，而是深入剖析了在美国校园“等级制度”下的各种角色的真实特点和想法。

美国的高中校园一般分成5类团体：
A：运动员（sporto，校园里的明星，食物链的top）
B：拉拉队长（cheerleader/princess，女版同上）
C：朋克（punk/criminal，学校的犯罪分子）
D：书呆子（nerd，社交障碍的天才）
E：怪胎（freak，被人忽视的艺术家）


看完以后的总述：这个世界需要天才，即使他们当时被公认为是不合群的疯子，书呆子，怪胎，即使他们可能对girls束手无策。但他们以后所作出的贡献却能比得上无数个sporto宠儿，而他们也可以得到无数个cheerleader作为女友。
         生活就是这样，规矩是有成功者来定的，所以成功者是孤独的人，他们用大脑改变世界，100后仍会有人记得他们，所以今天的寂寞又算得了什么呢••••••
          每个人都在扮演着各自的角色，生活在自己的小圈子中，对圈子以外的事都不闻不问。（中国现在的学生更可怜，连圈子都没有，没人知道自己到底想成为个谁~）他们对其他人不了解，他们也不屑于了解，亦或许是美国高校这种大制度，潜移默化的规则把他们制度化了，已经没有勇气去冲破了••••••


         Princess是完美的，她们拥有令人慕羡的脸蛋儿，身材一流的运动员男友，一帮跟前跟后后的“姐妹”（只能算姐妹，不能算朋友。一帮子随时准备倒戈的将士，你能视他们为心腹吗？！）每天疯狂的闲聊与购物，只为在年终舞会上获得那个“全世界”都想要的Prom Queen。这一切的一切都无可厚非，这就是一个princess该过的生活。
         sporto是令人敬仰的明星，他们拥有数不清的大大小小的奖杯，大学奖学金的召唤，全校最美的cheerleader作为女友，他们带着一帮打手，每天盛气凌人的欺负弱者，却是全校的中心。不过在他们的内心，却始终不知道自己想要的是什么。只有他们的严厉的教练父亲会不断地在他们耳边狂吼“GO！GO！GOAL！！！”其实在心里，他们只是不知所措的孩子，大脑完全还停留在初中而已••••••这就是 sporto，是学校里的全明星，但以后呢，除了有后台的，其他的也都只有默默了•••••••
        nerd是令人感到无趣的一个族群，他们拥有的知识也许可以和一个大学生媲美了（注：是美国大学生，如果中国大学还是那么的令人堪忧的话，也许这个注解就可以永远的省了）但他们却总在别人谈论衣服和电影的时候提起量子学，微积分。一个白眼之后，成三米距离散开。在高中的这个阶段，他们缺少社交，缺少朋友。感到了许多这方面的压力（电影中说有学业的压力，可我觉得这类人一般都是天才！）可谁又能想到，当初被大家嘲笑、欺负的书呆子，今天会成为你的老板呢？！
          Freak是游走在人群之外的，他们有自己的族群，一起干着灵婆一样的事，用奇怪的方式探寻者人类和自然界的灵异之事。他们不修边幅，形象邋遢，买脑子黑色、阴郁之事。不过他们却是天生的艺术家和探险家。
          Criminal这伙孩子或哥特，或朋克，或重金属。他们是用身上的纹身和伤疤标榜着自己的特立独行，用他们黑色皮衣上的尖刺来让人敬而远之。他们只会用暴力说话，他们没有了拳头，就变成了可怜虫。蜷缩在角落。但在人们对他们恨之入骨的时候，有没有人会想起是家庭的暴力使得弱小的他们必须变得坚强。强势的他们却又是如此的脆弱与孤单。这样既COOL又残酷的人生，让他们创造了摇滚，这一股反叛却强大到足以作为精神支柱的力量•••••••用自己的伤疤谱写的旋律能不让我们为之着迷吗？!!!摇滚吧，把在纸醉金迷中过完余生~~~~•••••

           中国的校园没有这么清晰的分类（当然校园恶霸和好学生的分类当然是很清晰的，游荡于之间的同学就永远徘徊在好学生与坏学生之间）。产生这样现象的原因总的来说
1：是我们国家改革开放的晚，对世界的认知也起步也较晚。
2：职业选来选去也就那么几种，从大人那一代思想就太局限了。
3：人们对自己职业规划的意识也不强，除了大人告诉我们的当医生，当公务员，似乎世界上就再也没有更好的职位了。
4：每天只是被强调了死读书的重要，却没有人对于兴趣加以开发，所以大家一个个都像是工厂里的产品，我有的大家都有，没有区别，毫无个性••••••


           在这里祝愿大家，早日找到自己的方向，不要变成学校标准化生产的产品~！


                                                                 ~•Stammy•~
                                                                   2011.1.10

把拳头挥向天空
文/P&P

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《早餐俱乐部》是我至今看过最好的青春片，没有之一。台词的精巧和灵动、气氛和微妙表情的精密把握共同推动整部电影前进，五人组所展现出的迷茫和残酷回味悠长。在清洁工Carl和Dick的对话中，他们问自己和对方：你年轻的时候曾想要成为谁？而隔过一条走廊的空阔教室里，五个unhappy teens在每一句话里悄悄互相问着：我们将会变成什么？
作为名垂青史的High School Movie，它弥漫着的与其说是青春气息，不如说是一种乌托邦气质。五个来自校园不同阶级群体的高中生，在彼此唇枪舌剑之后竟然又走到了一起，他们雄赳赳气昂昂走出校门的样子仿佛有信心对阵整个现实世界。Bender的嘴炮惹怒同伴，他闯祸时却总受到团结一致的掩护；Andrew带队走错了路，一直和他针锋相对的Bender却主动牺牲自己保全大家。也许所有青少年之间本就有着不需解释的天然code，同仇敌忾，一致对外。中间看到几次他们痛哭流涕互相对峙，最后却还能不存芥蒂地相拥，这大概就是成年人永远无法理解也做不到的事情。水火不容的五人组正是被这种code牢牢系起，只因外界的压力与内心的茫然相合，使他们生长出超越血缘与个性的共同情感。《早餐俱乐部》讲的不是单单五个青少年，而是他们身后辽阔的背景展板。皆处于名叫青春的引力场中，无法自拔。
“青少年”这个词语细看来很是古怪，它介于孩子与成人之间，孤独、尴尬而又充满共情。电影中的留校时间则提供了扒下成人外表、袒露孩童心灵的美妙机会，Claire哭着说自己遭遇了同侪压力，Brian为一个F而纠结至意图放弃生命，这些设置现在看来平淡无奇，却的确是剖开内心的表达。有些话，只能对“自己人”说。Alison说谎、骗人，但她一句“your heart dies”却拥有使人心碎的力量。就在这个私密而不需考虑后果的空间内，五人组碰撞爆发出的能量的确足够惊人，它中二却也热血，粗糙却也无比真诚。除了这群人，这群和我们一起生存于人生夹缝中的人，还有谁能和我们聊如此深刻的哲学以及如此羞涩的困惑呢？
片中的人物时而被描述为“脸谱化”，但那就是我们眼里的世界，颜色鲜艳、线条简单。到头来，他们还是那五个标签下的人，但又绝不仅止于此。他们不只是外界目光下的木偶，或者家庭延续的枝叶，骨肉躯壳局限之外，有着难以抑制的无限。跳舞的一段，We Are Not Alone太好听了。歌声高呼着，标签之下，血肉之下，我们都一样，深入骨髓之处都是同一个狂奔呐喊的少年。音乐响起，每个人用自己的方式起舞，宣泄着无处可去的热情，没有目的，四散纷飞。成人世界的标准——阶级、背景、环境，开着BMW的老爸与酗酒家暴的所谓父亲，这样的壁垒自然无法打破；但在这里，褪下你的成人化外衣吧，就做个孩子，在我们之间。总有人看进你的眼睛，如同照向一面明镜。

最打动我的角色是Bender，他的救世、敏感、狂怒，以及最嚣张和易碎的目光。最后他举起的那个拳头把我看呆了。
周一早晚会来。电影开头，平静的声音控诉着来自老师定义的简单粗暴terms，镜头扫过爆炸的柜子、啦啦队彩带和AND YOU DIE, FAG!的愤怒标语，把模式化的stereotype摆给观众看。于是我们很容易会抱着期待，想看影片结尾的深入挖掘与推翻。结果直到最后一秒，才发现一切都往复回环直至始端。周一到来时，以及在那个周一之后的漫长岁月里，我们将会成为什么，仍然没有人知道；友谊和爱情可能都只是吹弹即破的泡沫，而无法越过的壁垒一如既往无法越过。背景音乐不停地唱，Don’t you forget about me, don't don't don't don't …像哭诉，像求饶。这个结局不团圆，它带着与生俱来无法化解的缺憾，仿佛注定要把美好的东西毁灭给人看。而Bender朝着天空的拳头，它既是徒劳无功的最终落败，也是明知不可的奋力行舟。
五人组终将走出那个没有差别的乌托邦，走出那个人人充满共鸣的引力场，收起拉着的手、跳着的舞、嗑着的药和吹着的口哨，走进沟壑纵横的成人生活，改换成万千隔阂。青春是一堆乱线，是一场幻觉，把我们所有人紧密相连。舞会女王爱上混混，哥特怪人与运动明星接吻，风光地走出走廊，然后各奔前程。但早餐俱乐部，它没有相聚时间，却在莽乱的时空中永恒地存在。我们最终逃不脱那些枷锁与标签，但在标签的下面还有着别的什么。烟雾缭绕中，疯狂发泄中，舞蹈中，战斗中，泪眼笑声中，你能看见这些人浑身蒸腾着的灵魂。
But what we found out, is that each one of us is a brain, and an athlete, and a basket case, a princess, and a criminal. Does that answer your question?
这是安静的问号，狂喜的悲哀，苦痛的笑容。这是伊甸园向现实世界的臣服，也是伊甸园在现实世界中的永生。生命的前进像是朝着黑洞行驶的旅程，无论我们再怎样挣扎哭喊最终也要沦入其中。成年人并不都是行动迟缓感情麻木的大型动物，但原谅我，我真的放不下这身年轻人的模样。黑洞的吸引力无法抵御，结局并不会有任何不同，但总有人会对着天空挥出一拳，不为了打碎白日或苍穹——有些时候，挥拳的意义就是挥拳本身。这些远未成为大人也早已不是小孩的、无法定义和归类的人，永远热情，永远大胆，永远放纵和真诚；永远盲目，永远迷茫，永远朝着不是黑洞的方向奔去。海报上写这一次meeting改变了他们的人生，但人生也许不会被改变，只是必然的轨迹在位移相等的同时路程不同，多拐了几个漂亮的大弯。黑洞还或许在远处、或许在不远处耐心地等待着我们，没人知道那之后会是什么，但在那之前，如凯鲁亚克所言，我们的热泪未曾干涸过。阔步、挥拳，心中如有火种，一点就着。

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题外话碎碎念：
我爱美国八十年代，浮夸的服装加上节奏感强到爆炸的好听OST。《麦田里的守望者》与《在路上》中的莫名其妙愤怒能量在这里以另一种形式表达，青少年世界的法则和成年人的的确彻底不同。
和Emma Stone不一样，我不遗憾JH没能导演我的生活，因为我的生活和他银幕里的生活，剖开细看都同样bizarre。
We Are Not Alone是个迷之命题，因为the only thing we have in common is our loneliness.
在网上搜照片时，发现演员都老了，但他们永恒的青春还停驻在早餐俱乐部里，磨洗我们的眼睛，使它们永远如最初发现同类时般明亮。
“我终有一天将离开，就像我从未存在过。”但我把拳头挥向天空，我把拳头挥向天空。与天地曾不能以一瞬共存的，是物与我皆无尽也。

再题外话：
AMC Filmsite中写到本片位于50部最佳HSM之首（http://www.filmsite.org/50besthsfilms2.html），里面的description写的也很风趣，可以去看看。

·这是导演约翰·休斯执导的第二部电影，他仅用了两天就完成了影片的剧本（1982年7月4日与5日两天）。
·影片的主演为五位高中生，他们对自己定义分别是：公主、书呆子、运动员、怪胎跟罪犯。
·最初，《早餐俱乐部》曾计划每十年拍摄一部续集，展现每一位俱乐部成员的生活状态，但这一设想最终没有达成。首要原因是约翰·休斯与扮演扮演本德的演员贾德·尼尔森关系实在太糟糕，休斯·曾经甚至表示，他永远不会与尼尔森再次合作。另外休斯曾经的御用演员莫利·林沃德也在80年代末与其渐行渐远，成年后的林沃德希望自己的戏路不只局限于青少年电影，两人因此出现分歧，最终分道扬镳。
·影片的后半段，众人围坐在地板上讲述各自烦恼的桥段并没有剧本，导演约翰·休斯完全让他们自由发挥。影片当中其他由演员即兴发挥的段落还包括，布莱恩回答为什么他有一个假身份证时说的“那样我就可以投票了”。
·电影的最后一个镜头，本德举起拳头，指向天空，这一画面现在几乎被视作80年代电影的标志，实际上这也是贾德·尼尔森即兴发挥的桥段。导演让他走向夕阳，随便做几个动作。他们马上就要拍完的时候，尼尔森突然做了这个动作。
·与片中角色年龄最接近的两位演员是莫利·林沃德与安东尼·迈克尔·豪尔，他们出演该片时均为17岁。安东尼·迈克尔·豪尔与艾丽·西蒂则均为23岁。
·曾是校园风云人物的卡尔最终成了学校的清洁工，清洁工卡尔也是该所高中1969年的年度风云人·物。
·直到电影的第33分钟，艾丽·西蒂扮演的艾莉森才说了第一句台词。
·五位俱乐部成员在片中抽的大麻实质上是牛至叶。
·尼古拉斯·凯奇和约翰·库萨克本来都是扮演本德的人选，但是制片人觉得凯奇要价太高，而库萨克则在临开拍前被导演换成了贾德·尼尔森。贾德·尼尔森在影片当中所穿的那套衣服，和他在试镜本德这个角色的时候穿的是同一套。
·五个人周六被留校的原因分别是：本德：乱按火警报警器；安德鲁：恶作剧地把一个学生的屁股粘住了；布莱恩：衣柜里有一把枪；克莱尔：逃课去逛街；艾莉森：什么也没做，她只是无聊。
·约翰·休斯就读于北格伦布鲁克高中，影片也在这所高中里取景拍摄。
·影片中五个人一起吹口哨的那首曲子是《波基上校进行曲》，1957年大卫·里恩的《桂河大桥》中曾使用过这首曲子。
·后世各种作品当中对于《早餐俱乐部》的致敬数不胜数，甚至在2015年上映的《泰迪熊2》中，主角们也恶搞了一把影片中本德、安德鲁和布莱恩在桌子上跳的那支舞。
·布莱恩母亲的车牌号是“EMC 2”——爱因斯坦的公式。影片开始，送布莱恩来上学的就是他现实中的妈妈与妹妹，至于片尾接他回家的父亲则由导演约翰·休斯扮演。

最近有几件小事发生在我身上，估计每个人也都会经历到。但是事情都太小太常见，常见到不会费脑子去追究发生的原因便直接走了肾没走心。不料周末看了这个电影却一下子都联系了起来。

一件是一个曾经彼此有好感的人，分别美国东西两岸也有两年了，最近微信和朋友圈的对话变得越来越谈不拢。我发个帖推荐一部新剧，那边就评论 “看电视剧也要看这种，还真符合你的品味”；我分享个歌单就被说装文青；在她朋友圈底下夸一句，却换来个“居然说人话！快揭下你的面具”...一来二去最后被人盖棺定论说我俩社会价值观差了一个王宝强脸一样的鸿沟，最后扔下句“Bye Felicia”便再无交集了。(Bye Felicia，美国网络流行语，意为无关紧要的人无需再联络)

回想四年前我们同来美国求学，年纪虽然相差几岁，但彼时的社会属性都是学生，都在计较三餐的价钱，为毕业去留焦心。大家精神上相互扶持，在一起总有聊不完的话，见到面打个招呼都能不自觉的笑出来。之后大家找到工作在不同的城市安定下来，生活轨迹愈发不同，没了面对面的沟通，就靠着朋友圈上的几张照片，几个转发，我变成了她眼中无比世俗一切靠利益驱动的资本主义走狗，她变成了自命清高，向往在资本主义社会振兴共产主义的NGO天使。但是我们又哪里会变了那么多呢？只是缺少了沟通，被用显露在外的最肤浅的信息贴了个廉价的标签罢了。你认定我是现实主义，我觉得你清高自负。但是给我们一下午的咖啡时间，肯定可以重新记起当初的对方。

另外一件是过年回家。开始工作以后，每年回家的时候都踌躇满志，觉得自己长大成人，经济独立，在自己的领域也有了立足之地，回去可以给母亲包个大红包，带她出去转转，总之可以是家里的主心骨，把前几十年的被保护的状态掉个个儿。可是回到家被叮嘱吃饭不能光吃肉要吃菜，早上起的晚点被拉窗帘的时候，立刻感觉被包了块尿布塞了个奶嘴儿，原本积攒起来的掌控感嗖的一下就消失了。

父母总会说一句话“不管你长多大，都是我的孩子”。话是没错，但是那种潜藏在字面背后的影响力却是巨大的。

我相信绝大多数的孩子都觉得跟父母相处的不是那么融洽。就比如我母亲，从我记事起她是大学教授，后来自己当了老板，都是教育人管人的角色。我印象中她总是正气凌然，说话字正腔圆气沉丹田，喜欢穿裤装披披肩，气场超强。从小父母离异，长大过程中一直听的是母亲说父亲的不是，这种单方面的信息灌输一直让我很困扰。等我十几岁开始形成自己的逻辑，尝试跟她理论，她总是能够避重就轻，偷换概念，最后用强大的气场压制住我的想法。父母那种无形的控制感强迫住我们不去追究原因，只是服从，有能力的就用最简单的逃避来解决问题。到最后亲人、家乡定格成远方温馨美好的一道灯光，仅供我们踽踽独行之时取暖。亲人和家一直在火车的终点站，在大洋的另一边，而我们永远都回不去了，只是欠缺一条理解搭建起来的船。

你有多少叛逆来源于对长辈的顺从？又有多少叛逆转变成了你个性的一部分？这些个性中又有多少成了坏习惯，影响着你现在的工作生活？电影中的孩子就是放大了的我们，他们对一种不够幸福的生活感到习以为常，把种种不满和戾气显露出来，变成了老师眼中的反面典型，和朋友圈上各自光怪陆离的人格。但是你我作为一个看客，会否曾经停格一秒去思考表象之后的原因呢？生活中我们各行各路，见面也未必会打招呼。看到奇怪的人会说“你看那人长得好像一条狗”，看到网页断章取义博人眼球的新闻头条会唏嘘愤慨。但是每个个体的背后，背负着上一辈的烙印，和现实生活的束缚，你又了解多少？你又比别人高级多少？你认为高级的，不过是你麻木得更久，压抑的尚未爆发罢了。

5个出身个性皆异的叛逆少年，一次封闭时空的留校惩罚，经典如八股文一般的三一律结构的影片。这是那种看时会略闷，但是回味悠远的作品。感谢编剧和导演，幽默的桥段没有让人感觉无聊，演员们细致的表演也让人欣慰。5个不同性格不同家庭不同经历的形象鲜活生动。书呆子、运动员、神经病、公主、罪犯，还是高中生，既有道不同不相为谋也有英雄所见略同。别忘了还有看似坚强实则脆弱的老师与学校的清洁工。如同舞台剧一般的设定，更加凸显了编剧的功力。
想想自己的学生时代，何尝不是如此，充满了对社会的好奇与向往，自身的苦闷与叛逆。其实如果能够遇到这么几个“早餐俱乐部”一般的同学聊聊，倒不失为一个很好的审视自身与了解他人的机会。这不，就连负责人Vernon先生都不禁跟清洁工畅谈各自的人生。
其实本片的主题很明确，就是作文的题目：“写你以为你自己是谁”，不论是孩子们的讨论，还是成人之间的闲聊，都围绕这个主题。其实，这也是年轻人最难以回答的一个问题，不是吗？你以为你想成为什么样的人，或者你希望在别人的眼中是何种形象的时候，恰恰忽略了一个问题，那就是你到底是谁，你能成为什么样的人。当有人提出“我们以后也会像我们的家长今天这样吗”的问题时，如果你是家长的话，应该也会有所领悟吧，引导孩子去认识世界，发现自己才是正道，而不是去让孩子成为圆自己未竟的梦想的工具而已。我想，80后的筒子们看完此片，应该对教育下一代略有裨益吧。
我不禁想起《蝙蝠侠：侠影迷踪》里的一句话：It is not who you are underneath, but it is what you do that defines you. 也许，这是我们每一个人都应该思考的问题。
对了，本片的原声很赞哦！